Criticism: The Foundations of Modern Literary JudgmentMark Schorer, Josephine Miles, Gordon McKenzie Harcourt, Brace, 1948 - Всего страниц: 553 |
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Стр. 45
... less favorable to our immortal part than a stage - play , was in reality far less insulting . The only reason for the existence of a novel is that it does attempt to represent life . When it relinquishes this attempt , the same attempt ...
... less favorable to our immortal part than a stage - play , was in reality far less insulting . The only reason for the existence of a novel is that it does attempt to represent life . When it relinquishes this attempt , the same attempt ...
Стр. 174
... less and less communicative as it approaches the relative autonomy of the dream life . But perhaps we must stop to ask whether , since these are the components of the Zeitgeist from which Freud himself developed , it can be said that ...
... less and less communicative as it approaches the relative autonomy of the dream life . But perhaps we must stop to ask whether , since these are the components of the Zeitgeist from which Freud himself developed , it can be said that ...
Стр. 286
... less oblique : there is no direct poetry . But the terms " less oblique " and " more oblique " would sound ridiculous ; and the only way to be emphatic or even generally intelligible is by exaggeration to force a hypothetical but ...
... less oblique : there is no direct poetry . But the terms " less oblique " and " more oblique " would sound ridiculous ; and the only way to be emphatic or even generally intelligible is by exaggeration to force a hypothetical but ...
Содержание
WILLIAM WORDSWORTH | 30 |
HENRY JAMES | 44 |
ANDREW CECIL BRADLEY Hegels Theory of Tragedy | 55 |
Не показаны другие разделы: 40
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Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1948 |
Часто встречающиеся слова и выражения
action admiration appear artist beauty become beginning believe better called cause character comes common consider course criticism drama effect English equally example existence experience expression fact feeling follow force genius give given hand human idea imagination imitation important interest James kind knowledge language learning least less literature living look manner matter means merely mind moral nature never novel object observed once original particular passions perhaps persons play pleasure plot poem poet poetic poetry possible present principle produced prose question reader reason relation represent seems sense social speak spirit story tell things thought tion tragedy true truth turn understanding universal verse whole write