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Стр. 280
She looks a little surprised at being there , but beauty ought to look a little surprised : it is the emotion that best suits her face , as Botticelli knew when he painted her risen from the waves , between the winds and the flowers .
She looks a little surprised at being there , but beauty ought to look a little surprised : it is the emotion that best suits her face , as Botticelli knew when he painted her risen from the waves , between the winds and the flowers .
Стр. 345
Streight may mean " packed together , " in the microcosm , or " at once " ; the beasts see their reflection ( perhaps the root idea of the metaphor ) as soon as they look for it ; the calm of Nature gives the poet an immediate self ...
Streight may mean " packed together , " in the microcosm , or " at once " ; the beasts see their reflection ( perhaps the root idea of the metaphor ) as soon as they look for it ; the calm of Nature gives the poet an immediate self ...
Стр. 369
True , it has a literal meaning , if we can look close at the words , but it is hard to look close because of the romantic aura - the spiritualized mist about them.1 But with the last line the perfectly literal meaning suddenly comes ...
True , it has a literal meaning , if we can look close at the words , but it is hard to look close because of the romantic aura - the spiritualized mist about them.1 But with the last line the perfectly literal meaning suddenly comes ...
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Содержание
WILLIAM WORDSWORTH | 30 |
HENRY JAMES | 44 |
ANDREW CECIL BRADLEY Hegels Theory of Tragedy | 55 |
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Другие издания - Просмотреть все
Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1948 |
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action admiration appear artist beauty become beginning believe better called cause character comes common consider course criticism drama effect English equally example existence experience expression fact feeling follow force genius give given hand human idea imagination imitation important interest James kind knowledge language learning least less literature living look manner matter means merely mind moral nature never novel object observed once original particular passions perhaps persons play pleasure plot poem poet poetic poetry possible present principle produced prose question reader reason relation represent seems sense social speak spirit story tell things thought tion tragedy true truth turn understanding universal verse whole write