Criticism: The Foundations of Modern Literary JudgmentMark Schorer, Josephine Miles, Gordon McKenzie Harcourt, Brace, 1948 - Всего страниц: 553 |
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Стр. 448
... manners is no fault in the author , nor deformity in the piece ; but we are not so sensibly touched with them . For this reason , comedy is not easily transferred from one age or nation to another . A Frenchman or Englishman is not ...
... manners is no fault in the author , nor deformity in the piece ; but we are not so sensibly touched with them . For this reason , comedy is not easily transferred from one age or nation to another . A Frenchman or Englishman is not ...
Стр. 459
... manner as exercise strengthens a limb . A poet therefore would do ill to embody his own conceptions of right and wrong , which are usually those of his place and time , in his poetical creations , which participate in neither . By this ...
... manner as exercise strengthens a limb . A poet therefore would do ill to embody his own conceptions of right and wrong , which are usually those of his place and time , in his poetical creations , which participate in neither . By this ...
Стр. 494
... manner on the other , have a mark , an accent , of high beauty , worth , and power . But if we are asked to define this mark and accent in the abstract , our answer must be : No , for we should thereby be darkening the question , not ...
... manner on the other , have a mark , an accent , of high beauty , worth , and power . But if we are asked to define this mark and accent in the abstract , our answer must be : No , for we should thereby be darkening the question , not ...
Содержание
WILLIAM WORDSWORTH | 30 |
HENRY JAMES | 44 |
ANDREW CECIL BRADLEY Hegels Theory of Tragedy | 55 |
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Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1948 |
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action admiration appear artist beauty become beginning believe better called cause character comes common consider course criticism drama effect English equally example existence experience expression fact feeling follow force genius give given hand human idea imagination imitation important interest James kind knowledge language learning least less literature living look manner matter means merely mind moral nature never novel object observed once original particular passions perhaps persons play pleasure plot poem poet poetic poetry possible present principle produced prose question reader reason relation represent seems sense social speak spirit story tell things thought tion tragedy true truth turn understanding universal verse whole write