Criticism: The Foundations of Modern Literary JudgmentMark Schorer, Josephine Miles, Gordon McKenzie Harcourt, Brace, 1948 - Всего страниц: 553 |
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Стр. 448
... manners is no fault in the author , nor deformity in the piece ; but we are not so sensibly touched with them . For this reason , comedy is not easily transferred from one age or nation to another . A Frenchman or Englishman is not ...
... manners is no fault in the author , nor deformity in the piece ; but we are not so sensibly touched with them . For this reason , comedy is not easily transferred from one age or nation to another . A Frenchman or Englishman is not ...
Стр. 459
... manner in which it is worn . A majestic form and graceful motions will ex- press themselves through the most barbarous and tasteless costume . Few poets of the highest class have chosen to exhibit the beauty of their conceptions in its ...
... manner in which it is worn . A majestic form and graceful motions will ex- press themselves through the most barbarous and tasteless costume . Few poets of the highest class have chosen to exhibit the beauty of their conceptions in its ...
Стр. 494
... manner on the other , have a mark , an accent , of high beauty , worth , and power . But if we are asked to define this mark and accent in the abstract , our answer must be : No , for we should thereby be darken- ing the question , not ...
... manner on the other , have a mark , an accent , of high beauty , worth , and power . But if we are asked to define this mark and accent in the abstract , our answer must be : No , for we should thereby be darken- ing the question , not ...
Содержание
PART ONE SOURCE | 3 |
EDWARD YOUNG Conjectures on Original Composition | 12 |
WILLIAM WORDSWORTH Observations Prefixed to Lyrical Ballads | 30 |
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Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1948 |
Часто встречающиеся слова и выражения
action admiration aesthetic appears Aristotle artist attitude beauty believe Ben Jonson blank verse called character classical comedy conscious criticism delight divine drama Edith Wharton effect emotion English Epic poetry essay example experience expression fact feeling fiction Freud genius give Hegel Henry James Homer human I. A. Richards idea imagination imitation interest James kind language less literary literature living Lycidas means ment merely metaphor metre Milton mind modern moral nature never novel novelist object passion perhaps persons philosophical Plato play pleasure plot poem Poesie poet poet's poetic poetry present prose reader reason Restoration comedy rhyme romanticism Sacred Fount scene seems sense Shakespeare social Sophocles soul speak spirit stanza story style Surrealists T. S. Eliot taste things thought tion tragedy tragic true truth ture verse whole words write