Criticism: The Foundations of Modern Literary JudgmentMark Schorer, Josephine Miles, Gordon McKenzie Harcourt, Brace, 1948 - Всего страниц: 553 |
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Стр. 97
... merely represent the dominance of one particular class - the economic dominance and therefore the cultural dominance of that class . For the stability of such a society a certain uniformity of ideas and modes of expression is a ...
... merely represent the dominance of one particular class - the economic dominance and therefore the cultural dominance of that class . For the stability of such a society a certain uniformity of ideas and modes of expression is a ...
Стр. 103
... merely a rehabilitation of romanticism is true enough , if the definition of romanticism I have already given is borne in mind . I would suggest , merely as examples of the tasks awaiting us , and merely in the restricted field of ...
... merely a rehabilitation of romanticism is true enough , if the definition of romanticism I have already given is borne in mind . I would suggest , merely as examples of the tasks awaiting us , and merely in the restricted field of ...
Стр. 156
... merely that he gave in " The Bostonians " an unpleasant picture of Boston , and in " The Tragic Muse " an equally unpleasant picture of the English ; it is not merely that " The Princess Casamassima " treated a social - revolutionary ...
... merely that he gave in " The Bostonians " an unpleasant picture of Boston , and in " The Tragic Muse " an equally unpleasant picture of the English ; it is not merely that " The Princess Casamassima " treated a social - revolutionary ...
Содержание
WILLIAM WORDSWORTH | 30 |
HENRY JAMES | 44 |
ANDREW CECIL BRADLEY Hegels Theory of Tragedy | 55 |
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Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1948 |
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action admiration appear artist beauty become beginning believe better called cause character comes common consider course criticism drama effect English equally example existence experience expression fact feeling follow force genius give given hand human idea imagination imitation important interest James kind knowledge language learning least less literature living look manner matter means merely mind moral nature never novel object observed once original particular passions perhaps persons play pleasure plot poem poet poetic poetry possible present principle produced prose question reader reason relation represent seems sense social speak spirit story tell things thought tion tragedy true truth turn understanding universal verse whole write