Criticism: The Foundations of Modern Literary JudgmentMark Schorer, Josephine Miles, Gordon McKenzie Harcourt, Brace, 1948 - Всего страниц: 553 |
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Стр. 288
... METHOD OF REPETITION Kenneth Burke has named and described this method without evaluating it . ' It is the simplest and most primitive method possible , and is still in common use ; if limited to a short lyrical form , it may still be ...
... METHOD OF REPETITION Kenneth Burke has named and described this method without evaluating it . ' It is the simplest and most primitive method possible , and is still in common use ; if limited to a short lyrical form , it may still be ...
Стр. 356
... method is frequently distin- guished by students of fiction . This is the method which shows the character changing or develop . ing , so that while the initial portrait is valid with reference to the situation presented at the ...
... method is frequently distin- guished by students of fiction . This is the method which shows the character changing or develop . ing , so that while the initial portrait is valid with reference to the situation presented at the ...
Стр. 357
... method of presenting the consciousness of his characters is such that by the time the book closes we know the whole of Stephen , even though the whole of him is not yet , as it were , made actual . We can see the germ of the future in ...
... method of presenting the consciousness of his characters is such that by the time the book closes we know the whole of Stephen , even though the whole of him is not yet , as it were , made actual . We can see the germ of the future in ...
Содержание
PART ONE SOURCE | 3 |
EDWARD YOUNG Conjectures on Original Composition | 12 |
WILLIAM WORDSWORTH Observations Prefixed to Lyrical Ballads | 30 |
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Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1948 |
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action admiration aesthetic appears Aristotle artist attitude beauty believe Ben Jonson blank verse called character classical comedy conscious criticism delight divine drama Edith Wharton effect emotion English Epic poetry essay example experience expression fact feeling fiction Freud genius give Hegel Henry James Homer human I. A. Richards idea imagination imitation interest James kind language less literary literature living Lycidas means ment merely metaphor metre Milton mind modern moral nature never novel novelist object passion perhaps persons philosophical Plato play pleasure plot poem Poesie poet poet's poetic poetry present prose reader reason Restoration comedy rhyme romanticism Sacred Fount scene seems sense Shakespeare social Sophocles soul speak spirit stanza story style Surrealists T. S. Eliot taste things thought tion tragedy tragic true truth ture verse whole words write