Criticism: The Foundations of Modern Literary JudgmentMark Schorer, Josephine Miles, Gordon McKenzie Harcourt, Brace, 1948 - Всего страниц: 553 |
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Стр. 180
... mind . Indeed , the mind , as Freud sees it , is in the greater part of its tendency , exactly a poetrymaking organ . This puts the case too strongly no doubt , for it seems to make the working of the unconscious mind equivalent to ...
... mind . Indeed , the mind , as Freud sees it , is in the greater part of its tendency , exactly a poetrymaking organ . This puts the case too strongly no doubt , for it seems to make the working of the unconscious mind equivalent to ...
Стр. 345
... mind is less now , but will return , and it is now that one can see the rock - pools . On the Freudian view of an Ocean , withdraws would make this repose in Nature a return to the womb ; anyway it may mean either " withdraws into self ...
... mind is less now , but will return , and it is now that one can see the rock - pools . On the Freudian view of an Ocean , withdraws would make this repose in Nature a return to the womb ; anyway it may mean either " withdraws into self ...
Стр. 511
... mind , is the source and the sanction of the words . They represent this experience itself , not any set of perceptions or reflections , though often to a reader who approaches the poem wrongly they will seem to be only a series of ...
... mind , is the source and the sanction of the words . They represent this experience itself , not any set of perceptions or reflections , though often to a reader who approaches the poem wrongly they will seem to be only a series of ...
Содержание
WILLIAM WORDSWORTH | 30 |
HENRY JAMES | 44 |
ANDREW CECIL BRADLEY Hegels Theory of Tragedy | 55 |
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Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1948 |
Часто встречающиеся слова и выражения
action admiration appear artist beauty become beginning believe better called cause character comes common consider course criticism drama effect English equally example existence experience expression fact feeling follow force genius give given hand human idea imagination imitation important interest James kind knowledge language learning least less literature living look manner matter means merely mind moral nature never novel object observed once original particular passions perhaps persons play pleasure plot poem poet poetic poetry possible present principle produced prose question reader reason relation represent seems sense social speak spirit story tell things thought tion tragedy true truth turn understanding universal verse whole write