Criticism: The Foundations of Modern Literary JudgmentMark Schorer, Josephine Miles, Gordon McKenzie Harcourt, Brace, 1948 - Всего страниц: 553 |
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Стр. 138
... never occurred , the Incarnation and Redemption could never have occurred . These sublime mysteries would have had no occasion and no meaning ; and therefore the plenitude of the divine goodness and power could neither have been ...
... never occurred , the Incarnation and Redemption could never have occurred . These sublime mysteries would have had no occasion and no meaning ; and therefore the plenitude of the divine goodness and power could neither have been ...
Стр. 156
... never given us before : a wonderful portrait of a retired parliamentarian with an implied criticism of British Liberal politics , a real scene - what one might have thought he could never dobetween a man and a woman ( Nick Dormer and ...
... never given us before : a wonderful portrait of a retired parliamentarian with an implied criticism of British Liberal politics , a real scene - what one might have thought he could never dobetween a man and a woman ( Nick Dormer and ...
Стр. 246
... never equal them , but they could never equal themselves , were they to rise and write again . We acknowledge them our fathers in wit ; but they have ruined their estates themselves , before they came to their children's hands . There ...
... never equal them , but they could never equal themselves , were they to rise and write again . We acknowledge them our fathers in wit ; but they have ruined their estates themselves , before they came to their children's hands . There ...
Содержание
WILLIAM WORDSWORTH | 30 |
HENRY JAMES | 44 |
ANDREW CECIL BRADLEY Hegels Theory of Tragedy | 55 |
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Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1948 |
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action admiration appear artist beauty become beginning believe better called cause character comes common consider course criticism drama effect English equally example existence experience expression fact feeling follow force genius give given hand human idea imagination imitation important interest James kind knowledge language learning least less literature living look manner matter means merely mind moral nature never novel object observed once original particular passions perhaps persons play pleasure plot poem poet poetic poetry possible present principle produced prose question reader reason relation represent seems sense social speak spirit story tell things thought tion tragedy true truth turn understanding universal verse whole write