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Стр. 231
But I return again to the French writers , who , as I have said , do not burden themselves too much with plot , which has been reproached to them by an ingenious person of our nation as a fault ; for , he says , they commonly make but ...
But I return again to the French writers , who , as I have said , do not burden themselves too much with plot , which has been reproached to them by an ingenious person of our nation as a fault ; for , he says , they commonly make but ...
Стр. 240
you see in it many persons of various characters and humours , and all delightful : as first , Morose , or an old man ... a great addition from his person ; for the very sight of such an unwieldy old debauched fellow is a comedy alone .
you see in it many persons of various characters and humours , and all delightful : as first , Morose , or an old man ... a great addition from his person ; for the very sight of such an unwieldy old debauched fellow is a comedy alone .
Стр. 445
none but a person , familiarized to superior beauties , would pronounce their numbers harsh , or narration uninteresting . A great inferiority of beauty gives pain to a person conversant in the highest excellence of the kind , and is ...
none but a person , familiarized to superior beauties , would pronounce their numbers harsh , or narration uninteresting . A great inferiority of beauty gives pain to a person conversant in the highest excellence of the kind , and is ...
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Содержание
WILLIAM WORDSWORTH | 30 |
HENRY JAMES | 44 |
ANDREW CECIL BRADLEY Hegels Theory of Tragedy | 55 |
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Другие издания - Просмотреть все
Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1948 |
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action admiration appear artist beauty become beginning believe better called cause character comes common consider course criticism drama effect English equally example existence experience expression fact feeling follow force genius give given hand human idea imagination imitation important interest James kind knowledge language learning least less literature living look manner matter means merely mind moral nature never novel object observed once original particular passions perhaps persons play pleasure plot poem poet poetic poetry possible present principle produced prose question reader reason relation represent seems sense social speak spirit story tell things thought tion tragedy true truth turn understanding universal verse whole write