Criticism: The Foundations of Modern Literary JudgmentMark Schorer, Josephine Miles, Gordon McKenzie Harcourt, Brace, 1948 - Всего страниц: 553 |
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Стр. 234
... play , those which best fulfil that law ought to be esteemed superior to the others . ' Tis true , those beauties of the French poesy are such as will ... play contributing and moving towards it . Our plays , besides 234 CRITICISM : FORM.
... play , those which best fulfil that law ought to be esteemed superior to the others . ' Tis true , those beauties of the French poesy are such as will ... play contributing and moving towards it . Our plays , besides 234 CRITICISM : FORM.
Стр. 235
... play are conducing to the main design ; but when those petty intrigues of a play are so ill ordered , that they have no coherence with the other , I must grant that Lisideius has reason to tax that want of due connection ; for co ...
... play are conducing to the main design ; but when those petty intrigues of a play are so ill ordered , that they have no coherence with the other , I must grant that Lisideius has reason to tax that want of due connection ; for co ...
Стр. 267
... play of Kyd reworked by a third hand , perhaps Chapman , before Shakespeare touched the play . And he concludes , with very strong show of reason , that the original play of Kyd was , like certain other revenge plays , in two parts of ...
... play of Kyd reworked by a third hand , perhaps Chapman , before Shakespeare touched the play . And he concludes , with very strong show of reason , that the original play of Kyd was , like certain other revenge plays , in two parts of ...
Содержание
WILLIAM WORDSWORTH | 30 |
HENRY JAMES | 44 |
ANDREW CECIL BRADLEY Hegels Theory of Tragedy | 55 |
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Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1948 |
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action admiration appear artist beauty become beginning believe better called cause character comes common consider course criticism drama effect English equally example existence experience expression fact feeling follow force genius give given hand human idea imagination imitation important interest James kind knowledge language learning least less literature living look manner matter means merely mind moral nature never novel object observed once original particular passions perhaps persons play pleasure plot poem poet poetic poetry possible present principle produced prose question reader reason relation represent seems sense social speak spirit story tell things thought tion tragedy true truth turn understanding universal verse whole write