Criticism: The Foundations of Modern Literary JudgmentMark Schorer, Josephine Miles, Gordon McKenzie Harcourt, Brace, 1948 - Всего страниц: 553 |
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Стр. 279
... plot , and the plot , instead of finding human . beings more or less cut to its requirements , as they are in the drama , finds them enormous , shadowy and intractable , and three - quarters hidden like an iceberg . In vain it points ...
... plot , and the plot , instead of finding human . beings more or less cut to its requirements , as they are in the drama , finds them enormous , shadowy and intractable , and three - quarters hidden like an iceberg . In vain it points ...
Стр. 281
... plot to Aristotelian symmetry , to turn the novel into a temple wherein dwells interpretation and peace . Meredith fails here : Beauchamp's Career remains a series of contrivances ( the visit to France is another of them ) , but ...
... plot to Aristotelian symmetry , to turn the novel into a temple wherein dwells interpretation and peace . Meredith fails here : Beauchamp's Career remains a series of contrivances ( the visit to France is another of them ) , but ...
Стр. 282
... plot is established . But in the novels , though the same superb and terrible machine works , it never catches humanity in its teeth ; there is some vital problem that has not been answered , or even posed , in the misfortunes of Jude ...
... plot is established . But in the novels , though the same superb and terrible machine works , it never catches humanity in its teeth ; there is some vital problem that has not been answered , or even posed , in the misfortunes of Jude ...
Содержание
WILLIAM WORDSWORTH | 30 |
HENRY JAMES | 44 |
ANDREW CECIL BRADLEY Hegels Theory of Tragedy | 55 |
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Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1948 |
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action admiration appear artist beauty become beginning believe better called cause character comes common consider course criticism drama effect English equally example existence experience expression fact feeling follow force genius give given hand human idea imagination imitation important interest James kind knowledge language learning least less literature living look manner matter means merely mind moral nature never novel object observed once original particular passions perhaps persons play pleasure plot poem poet poetic poetry possible present principle produced prose question reader reason relation represent seems sense social speak spirit story tell things thought tion tragedy true truth turn understanding universal verse whole write