Criticism: The Foundations of Modern Literary JudgmentMark Schorer, Josephine Miles, Gordon McKenzie Harcourt, Brace, 1948 - Всего страниц: 553 |
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Стр. 37
... Poet binds together by passion and knowledge the vast empire of human society , as it is spread over the whole earth , and over all time . The objects of the Poet's thoughts are everywhere ; though the eyes and senses of man are , it is ...
... Poet binds together by passion and knowledge the vast empire of human society , as it is spread over the whole earth , and over all time . The objects of the Poet's thoughts are everywhere ; though the eyes and senses of man are , it is ...
Стр. 187
... poet's way of going about his work and his experience of being a poet are different , and when my own poetry may not be good enough to lend my example any authority . language as a painter has over his palette , even if the range of his ...
... poet's way of going about his work and his experience of being a poet are different , and when my own poetry may not be good enough to lend my example any authority . language as a painter has over his palette , even if the range of his ...
Стр. 339
... poet speaking in his own person to his own love . The studied " conceit " of the seventeenth century offered another field of discourse in which poetic exercises took place ; logical and academic , but having rich possibilities , and ...
... poet speaking in his own person to his own love . The studied " conceit " of the seventeenth century offered another field of discourse in which poetic exercises took place ; logical and academic , but having rich possibilities , and ...
Содержание
WILLIAM WORDSWORTH | 30 |
HENRY JAMES | 44 |
ANDREW CECIL BRADLEY Hegels Theory of Tragedy | 55 |
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Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1948 |
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action admiration appear artist beauty become beginning believe better called cause character comes common consider course criticism drama effect English equally example existence experience expression fact feeling follow force genius give given hand human idea imagination imitation important interest James kind knowledge language learning least less literature living look manner matter means merely mind moral nature never novel object observed once original particular passions perhaps persons play pleasure plot poem poet poetic poetry possible present principle produced prose question reader reason relation represent seems sense social speak spirit story tell things thought tion tragedy true truth turn understanding universal verse whole write