Criticism: The Foundations of Modern Literary JudgmentMark Schorer, Josephine Miles, Gordon McKenzie Harcourt, Brace, 1948 - Всего страниц: 553 |
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Стр. 112
... poetic force . Then , to disguise any gaps or incoherency , the conscious mind of the poet has worked over the poem ... poetic analysis , to reveal that repressed connection ; the poetic reality lies in the evident power of the image ...
... poetic force . Then , to disguise any gaps or incoherency , the conscious mind of the poet has worked over the poem ... poetic analysis , to reveal that repressed connection ; the poetic reality lies in the evident power of the image ...
Стр. 376
... poetic effect , or it may mean , though they do participate in the poetic effect , they need not appear in the poem in an explicit and argued form . And this second reading would scarcely be a doctrine of pure poetry at all , for it ...
... poetic effect , or it may mean , though they do participate in the poetic effect , they need not appear in the poem in an explicit and argued form . And this second reading would scarcely be a doctrine of pure poetry at all , for it ...
Стр. 382
... poetic method in direct contradiction to the way in which , according to Lessing , language had to be perceived . By comparing Pound's definition of the image with Eliot's well - known description of the psychology of the poetic process ...
... poetic method in direct contradiction to the way in which , according to Lessing , language had to be perceived . By comparing Pound's definition of the image with Eliot's well - known description of the psychology of the poetic process ...
Содержание
WILLIAM WORDSWORTH | 30 |
HENRY JAMES | 44 |
ANDREW CECIL BRADLEY Hegels Theory of Tragedy | 55 |
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Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1948 |
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action admiration appear artist beauty become beginning believe better called cause character comes common consider course criticism drama effect English equally example existence experience expression fact feeling follow force genius give given hand human idea imagination imitation important interest James kind knowledge language learning least less literature living look manner matter means merely mind moral nature never novel object observed once original particular passions perhaps persons play pleasure plot poem poet poetic poetry possible present principle produced prose question reader reason relation represent seems sense social speak spirit story tell things thought tion tragedy true truth turn understanding universal verse whole write