Criticism: The Foundations of Modern Literary JudgmentMark Schorer, Josephine Miles, Gordon McKenzie Harcourt, Brace, 1948 - Всего страниц: 553 |
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Стр. 204
... possible is credible : what has not happened we do not at once feel sure to be possible : but what has happened is manifestly possible : other . wise it would not have happened . 7. Still there are some tragedies in which there are only ...
... possible is credible : what has not happened we do not at once feel sure to be possible : but what has happened is manifestly possible : other . wise it would not have happened . 7. Still there are some tragedies in which there are only ...
Стр. 356
... possible the presentation of aspects of personality and of states of mind which were not possible in fiction utilizing other techniques and other conventions . That we are what we are in virtue of what we have been is an obvious ...
... possible the presentation of aspects of personality and of states of mind which were not possible in fiction utilizing other techniques and other conventions . That we are what we are in virtue of what we have been is an obvious ...
Стр. 512
... possible . In other words , the experience must be organized so as to give all the impulses of which it is composed the greatest possible degree of freedom.3 It is in this respect that people differ most from one another . It is this ...
... possible . In other words , the experience must be organized so as to give all the impulses of which it is composed the greatest possible degree of freedom.3 It is in this respect that people differ most from one another . It is this ...
Содержание
WILLIAM WORDSWORTH | 30 |
HENRY JAMES | 44 |
ANDREW CECIL BRADLEY Hegels Theory of Tragedy | 55 |
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Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1948 |
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action admiration appear artist beauty become beginning believe better called cause character comes common consider course criticism drama effect English equally example existence experience expression fact feeling follow force genius give given hand human idea imagination imitation important interest James kind knowledge language learning least less literature living look manner matter means merely mind moral nature never novel object observed once original particular passions perhaps persons play pleasure plot poem poet poetic poetry possible present principle produced prose question reader reason relation represent seems sense social speak spirit story tell things thought tion tragedy true truth turn understanding universal verse whole write