Criticism: The Foundations of Modern Literary JudgmentMark Schorer, Josephine Miles, Gordon McKenzie Harcourt, Brace, 1948 - Всего страниц: 553 |
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Стр. 204
... possible is credible : what has not happened we do not at once feel sure to be possible : but what has happened is manifestly possible : other- wise it would not have happened . 7. Still there are some tragedies in which there are only ...
... possible is credible : what has not happened we do not at once feel sure to be possible : but what has happened is manifestly possible : other- wise it would not have happened . 7. Still there are some tragedies in which there are only ...
Стр. 356
... possible the presentation of aspects of personality and of states of mind which were not possible in fiction utilizing other techniques and other conventions . That we are what we are in virtue of what we have been is an obvious ...
... possible the presentation of aspects of personality and of states of mind which were not possible in fiction utilizing other techniques and other conventions . That we are what we are in virtue of what we have been is an obvious ...
Стр. 512
... possible . In other words , the experience must be organized so as to give all the impulses of which it is composed the greatest possible de- gree of freedom.3 It is in this respect that people differ most from one another . It is this ...
... possible . In other words , the experience must be organized so as to give all the impulses of which it is composed the greatest possible de- gree of freedom.3 It is in this respect that people differ most from one another . It is this ...
Содержание
PART ONE SOURCE | 3 |
EDWARD YOUNG Conjectures on Original Composition | 12 |
WILLIAM WORDSWORTH Observations Prefixed to Lyrical Ballads | 30 |
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Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1948 |
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action admiration aesthetic appears Aristotle artist attitude beauty believe Ben Jonson blank verse called character classical comedy conscious criticism delight divine drama Edith Wharton effect emotion English Epic poetry essay example experience expression fact feeling fiction Freud genius give Hegel Henry James Homer human I. A. Richards idea imagination imitation interest James kind language less literary literature living Lycidas means ment merely metaphor metre Milton mind modern moral nature never novel novelist object passion perhaps persons philosophical Plato play pleasure plot poem Poesie poet poet's poetic poetry present prose reader reason Restoration comedy rhyme romanticism Sacred Fount scene seems sense Shakespeare social Sophocles soul speak spirit stanza story style Surrealists T. S. Eliot taste things thought tion tragedy tragic true truth ture verse whole words write