Criticism: The Foundations of Modern Literary JudgmentMark Schorer, Josephine Miles, Gordon McKenzie Harcourt, Brace, 1948 - Всего страниц: 553 |
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Стр. 39
... principle which must be well known to those who have made any of the Arts the object of accurate reflection ; namely , the pleasure which the mind derives from the perception of similitude in dissimilitude . This principle is the great ...
... principle which must be well known to those who have made any of the Arts the object of accurate reflection ; namely , the pleasure which the mind derives from the perception of similitude in dissimilitude . This principle is the great ...
Стр. 455
... principle of its own integrity . The one is the tò лOLEIV , or the principle of synthesis , and has for its objects those forms . which are common to universal nature and exist- ence itself ; the other is the tò λoyev , or principle of ...
... principle of its own integrity . The one is the tò лOLEIV , or the principle of synthesis , and has for its objects those forms . which are common to universal nature and exist- ence itself ; the other is the tò λoyev , or principle of ...
Стр. 477
... Principle * 1. I N SPEAKING of the Poetic Principle , I have no design to be either thorough or pro- found . While discussing , very much at ran- dom , the essentiality of what we call Poetry , my principal purpose will be to cite for ...
... Principle * 1. I N SPEAKING of the Poetic Principle , I have no design to be either thorough or pro- found . While discussing , very much at ran- dom , the essentiality of what we call Poetry , my principal purpose will be to cite for ...
Содержание
PART ONE SOURCE | 3 |
EDWARD YOUNG Conjectures on Original Composition | 12 |
WILLIAM WORDSWORTH Observations Prefixed to Lyrical Ballads | 30 |
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Часто встречающиеся слова и выражения
action admiration aesthetic appears Aristotle artist attitude beauty believe Ben Jonson blank verse called character classical comedy conscious criticism delight divine drama Edith Wharton effect emotion English Epic poetry essay example experience expression fact feeling fiction Freud genius give Hegel Henry James Homer human I. A. Richards idea imagination imitation interest James kind language less literary literature living Lycidas means ment merely metaphor metre Milton mind modern moral nature never novel novelist object passion perhaps persons philosophical Plato play pleasure plot poem Poesie poet poet's poetic poetry present prose reader reason Restoration comedy rhyme romanticism Sacred Fount scene seems sense Shakespeare social Sophocles soul speak spirit stanza story style Surrealists T. S. Eliot taste things thought tion tragedy tragic true truth ture verse whole words write