Criticism: The Foundations of Modern Literary JudgmentMark Schorer, Josephine Miles, Gordon McKenzie Harcourt, Brace, 1948 - Всего страниц: 553 |
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Стр. 58
... principle that the violation should take place , and that we should feel its weight . We do feel it . We may approve the act of Antigone or Orestes , but in approving it we still feel that it is no light matter to disobey the law or to ...
... principle that the violation should take place , and that we should feel its weight . We do feel it . We may approve the act of Antigone or Orestes , but in approving it we still feel that it is no light matter to disobey the law or to ...
Стр. 455
... principle of its own integrity . The one is the Tò лov , 1 or the principle of synthesis , and has for its objects those forms which are common to universal nature and existence itself ; the other is the tò λoyev , 2 or principle of ...
... principle of its own integrity . The one is the Tò лov , 1 or the principle of synthesis , and has for its objects those forms which are common to universal nature and existence itself ; the other is the tò λoyev , 2 or principle of ...
Стр. 477
... Principle * lence of the poem . To do this fully ,. I h N SPEAKING of the Poetic Principle , I have no design to be either thorough or profound . While discussing , very much at random , the essentiality of what we call Poetry , my ...
... Principle * lence of the poem . To do this fully ,. I h N SPEAKING of the Poetic Principle , I have no design to be either thorough or profound . While discussing , very much at random , the essentiality of what we call Poetry , my ...
Содержание
WILLIAM WORDSWORTH | 30 |
HENRY JAMES | 44 |
ANDREW CECIL BRADLEY Hegels Theory of Tragedy | 55 |
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Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1948 |
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action admiration appear artist beauty become beginning believe better called cause character comes common consider course criticism drama effect English equally example existence experience expression fact feeling follow force genius give given hand human idea imagination imitation important interest James kind knowledge language learning least less literature living look manner matter means merely mind moral nature never novel object observed once original particular passions perhaps persons play pleasure plot poem poet poetic poetry possible present principle produced prose question reader reason relation represent seems sense social speak spirit story tell things thought tion tragedy true truth turn understanding universal verse whole write