Criticism: The Foundations of Modern Literary JudgmentMark Schorer, Josephine Miles, Gordon McKenzie Harcourt, Brace, 1948 - Всего страниц: 553 |
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Стр. 41
... reader , which is , that in judging these Poems he would decide by his own feelings genuinely , and not by reflection upon what will probably be the judge ment of others . How common is it to hear a person say , I myself do not object ...
... reader , which is , that in judging these Poems he would decide by his own feelings genuinely , and not by reflection upon what will probably be the judge ment of others . How common is it to hear a person say , I myself do not object ...
Стр. 123
... reader's mind . Hence , the whole notion of " up " literature and " down " literature is a fallacy . And Man's Fate is only one of many novels that go to prove it . To use categories in this way , then , and with bad logic , is to ...
... reader's mind . Hence , the whole notion of " up " literature and " down " literature is a fallacy . And Man's Fate is only one of many novels that go to prove it . To use categories in this way , then , and with bad logic , is to ...
Стр. 382
... reader of " Prufrock " is swept up in a narrative movement from the very first lines : Let us go then , you and I , When the evening . . . And the reader , accompanying Prufrock , finally arrives at their mutual destination : In the ...
... reader of " Prufrock " is swept up in a narrative movement from the very first lines : Let us go then , you and I , When the evening . . . And the reader , accompanying Prufrock , finally arrives at their mutual destination : In the ...
Содержание
WILLIAM WORDSWORTH | 30 |
HENRY JAMES | 44 |
ANDREW CECIL BRADLEY Hegels Theory of Tragedy | 55 |
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action admiration appear artist beauty become beginning believe better called cause character comes common consider course criticism drama effect English equally example existence experience expression fact feeling follow force genius give given hand human idea imagination imitation important interest James kind knowledge language learning least less literature living look manner matter means merely mind moral nature never novel object observed once original particular passions perhaps persons play pleasure plot poem poet poetic poetry possible present principle produced prose question reader reason relation represent seems sense social speak spirit story tell things thought tion tragedy true truth turn understanding universal verse whole write