Criticism: The Foundations of Modern Literary JudgmentMark Schorer, Josephine Miles, Gordon McKenzie Harcourt, Brace, 1948 - Всего страниц: 553 |
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Стр. 233
... relation of what had happened within at the Soldier's entertainment . The relations likewise of Sejanus's death , and the prodigies before it , are remarkable ; the one of which was hid from sight , to avoid the horror and tumult of the ...
... relation of what had happened within at the Soldier's entertainment . The relations likewise of Sejanus's death , and the prodigies before it , are remarkable ; the one of which was hid from sight , to avoid the horror and tumult of the ...
Стр. 455
... relation to a corresponding antitype in the pleasurable impressions which awakened it ; it will be the reflected image of that impression ; and as the lyre trembles and sounds after the wind has died away , so the child seeks , by ...
... relation to a corresponding antitype in the pleasurable impressions which awakened it ; it will be the reflected image of that impression ; and as the lyre trembles and sounds after the wind has died away , so the child seeks , by ...
Стр. 457
... relation both between each other and towards that which they represent , and a perception of the order of those relations has always been found connected with a perception of the order of the relations of thoughts . Hence the language ...
... relation both between each other and towards that which they represent , and a perception of the order of those relations has always been found connected with a perception of the order of the relations of thoughts . Hence the language ...
Содержание
WILLIAM WORDSWORTH | 30 |
HENRY JAMES | 44 |
ANDREW CECIL BRADLEY Hegels Theory of Tragedy | 55 |
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Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1948 |
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action admiration appear artist beauty become beginning believe better called cause character comes common consider course criticism drama effect English equally example existence experience expression fact feeling follow force genius give given hand human idea imagination imitation important interest James kind knowledge language learning least less literature living look manner matter means merely mind moral nature never novel object observed once original particular passions perhaps persons play pleasure plot poem poet poetic poetry possible present principle produced prose question reader reason relation represent seems sense social speak spirit story tell things thought tion tragedy true truth turn understanding universal verse whole write