Criticism: The Foundations of Modern Literary JudgmentMark Schorer, Josephine Miles, Gordon McKenzie Harcourt, Brace, 1948 - Всего страниц: 553 |
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Стр. 348
... sense ( " the wanton stings and motions of the s " ) . That rich word confuses the pleasure and the knowledge given the senses ( Donne wants to imply they are mutually dependent ) and suggests that soul and body are in a healthy ...
... sense ( " the wanton stings and motions of the s " ) . That rich word confuses the pleasure and the knowledge given the senses ( Donne wants to imply they are mutually dependent ) and suggests that soul and body are in a healthy ...
Стр. 510
... sense of the words can be almost entirely missed or neglected without loss . Never perhaps entirely without effort , however ; though sometimes with advantage . But the plain fact that the relative importance of grasping the sense of ...
... sense of the words can be almost entirely missed or neglected without loss . Never perhaps entirely without effort , however ; though sometimes with advantage . But the plain fact that the relative importance of grasping the sense of ...
Стр. 527
... sense and feeling and to the ways in which the feeling may be , in various degrees , dependent on the sense . And let us be careful to remember that we are concerned , firstly , with the feeling actually aroused by the word in the poem ...
... sense and feeling and to the ways in which the feeling may be , in various degrees , dependent on the sense . And let us be careful to remember that we are concerned , firstly , with the feeling actually aroused by the word in the poem ...
Содержание
WILLIAM WORDSWORTH | 30 |
HENRY JAMES | 44 |
ANDREW CECIL BRADLEY Hegels Theory of Tragedy | 55 |
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Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1948 |
Часто встречающиеся слова и выражения
action admiration appear artist beauty become beginning believe better called cause character comes common consider course criticism drama effect English equally example existence experience expression fact feeling follow force genius give given hand human idea imagination imitation important interest James kind knowledge language learning least less literature living look manner matter means merely mind moral nature never novel object observed once original particular passions perhaps persons play pleasure plot poem poet poetic poetry possible present principle produced prose question reader reason relation represent seems sense social speak spirit story tell things thought tion tragedy true truth turn understanding universal verse whole write