Criticism: The Foundations of Modern Literary JudgmentMark Schorer, Josephine Miles, Gordon McKenzie Harcourt, Brace, 1948 - Всего страниц: 553 |
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Стр. 348
... sense ( " the wanton stings and mo- tions of the s " ) . That rich word confuses the pleasure and the knowledge given the senses ( Donne wants to imply they are mutually de- pendent ) and suggests that soul and body are in a healthy ...
... sense ( " the wanton stings and mo- tions of the s " ) . That rich word confuses the pleasure and the knowledge given the senses ( Donne wants to imply they are mutually de- pendent ) and suggests that soul and body are in a healthy ...
Стр. 510
... sense of the words can be almost entirely missed or neglected without loss . Never perhaps entirely without effort , however ; though sometimes with advantage . But the plain fact that the relative importance of grasping the sense of ...
... sense of the words can be almost entirely missed or neglected without loss . Never perhaps entirely without effort , however ; though sometimes with advantage . But the plain fact that the relative importance of grasping the sense of ...
Стр. 527
... sense and feeling and to the ways in which the feeling may be , in various degrees , dependent on the sense . And let us be careful to remember that we are concerned , firstly , with the feeling actually aroused by the word in the poem ...
... sense and feeling and to the ways in which the feeling may be , in various degrees , dependent on the sense . And let us be careful to remember that we are concerned , firstly , with the feeling actually aroused by the word in the poem ...
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Часто встречающиеся слова и выражения
action admiration aesthetic appears Aristotle artist attitude beauty believe Ben Jonson blank verse called character classical comedy conscious criticism delight divine drama Edith Wharton effect emotion English Epic poetry essay example experience expression fact feeling fiction Freud genius give Hegel Henry James Homer human I. A. Richards idea imagination imitation interest James kind language less literary literature living Lycidas means ment merely metaphor metre Milton mind modern moral nature never novel novelist object passion perhaps persons philosophical Plato play pleasure plot poem Poesie poet poet's poetic poetry present prose reader reason Restoration comedy rhyme romanticism Sacred Fount scene seems sense Shakespeare social Sophocles soul speak spirit stanza story style Surrealists T. S. Eliot things thought tion tragedy tragic true truth ture universal verse whole words write