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Стр. 88
Truly enough too , his portrayals often reach far beyond simple effects of contrast and comprise a revelation of moral beauty transcending national considerations altogether ; and the pattern was often broken by gross contradictions and ...
Truly enough too , his portrayals often reach far beyond simple effects of contrast and comprise a revelation of moral beauty transcending national considerations altogether ; and the pattern was often broken by gross contradictions and ...
Стр. 182
Despite popular belief to the contrary , man , as Freud conceives him , is not to be understood by any simple formula ( such as sex ) but is rather an inextricable tangle of culture and biology . And not being simple , he is not simply ...
Despite popular belief to the contrary , man , as Freud conceives him , is not to be understood by any simple formula ( such as sex ) but is rather an inextricable tangle of culture and biology . And not being simple , he is not simply ...
Стр. 286
The couplets evolve in a simple explicatory sequence ; they unfold the scene with no hint of ulterior meaning ; their freshness and unobstructedness are those of the clear sunny day they describe . The vocabulary is as close to simple ...
The couplets evolve in a simple explicatory sequence ; they unfold the scene with no hint of ulterior meaning ; their freshness and unobstructedness are those of the clear sunny day they describe . The vocabulary is as close to simple ...
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Содержание
WILLIAM WORDSWORTH | 30 |
HENRY JAMES | 44 |
ANDREW CECIL BRADLEY Hegels Theory of Tragedy | 55 |
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Другие издания - Просмотреть все
Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1948 |
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action admiration appear artist beauty become beginning believe better called cause character comes common consider course criticism drama effect English equally example existence experience expression fact feeling follow force genius give given hand human idea imagination imitation important interest James kind knowledge language learning least less literature living look manner matter means merely mind moral nature never novel object observed once original particular passions perhaps persons play pleasure plot poem poet poetic poetry possible present principle produced prose question reader reason relation represent seems sense social speak spirit story tell things thought tion tragedy true truth turn understanding universal verse whole write