Criticism: The Foundations of Modern Literary JudgmentMark Schorer, Josephine Miles, Gordon McKenzie Harcourt, Brace, 1948 - Всего страниц: 553 |
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Стр. 127
... social character of the artprocess , so evident in the collective festival , now disappears . " A commodity is therefore a mysterious thing , simply because in it the social character of men's labour appears to them as an objective ...
... social character of the artprocess , so evident in the collective festival , now disappears . " A commodity is therefore a mysterious thing , simply because in it the social character of men's labour appears to them as an objective ...
Стр. 131
... Social activity , the means of freedom , is because its products are appropriated more completely by individuals the more social the activity becomes -opposed by a resolutely non - social activity which is felt to constitute freedom ...
... Social activity , the means of freedom , is because its products are appropriated more completely by individuals the more social the activity becomes -opposed by a resolutely non - social activity which is felt to constitute freedom ...
Стр. 171
... social order , and when our science has developed out of all recognition , who but a historian will care a button whether the deceased was right about the Irish Question or wrong about the transmigration of souls ? But because the ...
... social order , and when our science has developed out of all recognition , who but a historian will care a button whether the deceased was right about the Irish Question or wrong about the transmigration of souls ? But because the ...
Содержание
WILLIAM WORDSWORTH | 30 |
HENRY JAMES | 44 |
ANDREW CECIL BRADLEY Hegels Theory of Tragedy | 55 |
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Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1948 |
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action admiration appear artist beauty become beginning believe better called cause character comes common consider course criticism drama effect English equally example existence experience expression fact feeling follow force genius give given hand human idea imagination imitation important interest James kind knowledge language learning least less literature living look manner matter means merely mind moral nature never novel object observed once original particular passions perhaps persons play pleasure plot poem poet poetic poetry possible present principle produced prose question reader reason relation represent seems sense social speak spirit story tell things thought tion tragedy true truth turn understanding universal verse whole write