Criticism: The Foundations of Modern Literary JudgmentMark Schorer, Josephine Miles, Gordon McKenzie Harcourt, Brace, 1948 - Всего страниц: 553 |
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Стр. 51
... tell you what you must not take , you will call upon me to tell you then what you must take ; in which case I shall be prettily caught . Moreover , it isn't till I have accepted your data that I can begin to measure you . I have the ...
... tell you what you must not take , you will call upon me to tell you then what you must take ; in which case I shall be prettily caught . Moreover , it isn't till I have accepted your data that I can begin to measure you . I have the ...
Стр. 123
... tell the reader how to feel about the book ; he cannot tell the reader to be happy or sad after reading it — not even though he be " the foremost Marxist literary critic of America . " But he can ― rationally and without wish ...
... tell the reader how to feel about the book ; he cannot tell the reader to be happy or sad after reading it — not even though he be " the foremost Marxist literary critic of America . " But he can ― rationally and without wish ...
Стр. 284
... Tell it them , Bernard . " " Les Faux Monnayeurs , " said Bernard . " And now will you please tell us who these faux monnayeurs are . " " I haven't the least idea . " Bernard and Laura looked at each other and then at Sophroniska ...
... Tell it them , Bernard . " " Les Faux Monnayeurs , " said Bernard . " And now will you please tell us who these faux monnayeurs are . " " I haven't the least idea . " Bernard and Laura looked at each other and then at Sophroniska ...
Содержание
WILLIAM WORDSWORTH | 30 |
HENRY JAMES | 44 |
ANDREW CECIL BRADLEY Hegels Theory of Tragedy | 55 |
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Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1948 |
Часто встречающиеся слова и выражения
action admiration appear artist beauty become beginning believe better called cause character comes common consider course criticism drama effect English equally example existence experience expression fact feeling follow force genius give given hand human idea imagination imitation important interest James kind knowledge language learning least less literature living look manner matter means merely mind moral nature never novel object observed once original particular passions perhaps persons play pleasure plot poem poet poetic poetry possible present principle produced prose question reader reason relation represent seems sense social speak spirit story tell things thought tion tragedy true truth turn understanding universal verse whole write