Criticism: The Foundations of Modern Literary JudgmentMark Schorer, Josephine Miles, Gordon McKenzie Harcourt, Brace, 1948 - Всего страниц: 553 |
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Стр. 5
... things . Yes , he said , the difference is only apparent . Now let me ask you another question : Which is the art of painting designed to be an imitation of things as they are , or as they appearof appearance or of reality ? Of ...
... things . Yes , he said , the difference is only apparent . Now let me ask you another question : Which is the art of painting designed to be an imitation of things as they are , or as they appearof appearance or of reality ? Of ...
Стр. 193
... things far outside their own self - centredness ( the weakness of memory is its self - centred ness : hence the narcissistic nature of most poetry ) . Here I can detect my own greatest weakness . My memory is defective and self ...
... things far outside their own self - centredness ( the weakness of memory is its self - centred ness : hence the narcissistic nature of most poetry ) . Here I can detect my own greatest weakness . My memory is defective and self ...
Стр. 508
... thing an image of “ silence . ” But , unlike the image - bodies of the words themselves , those other images of things are not vitally important . Those who have them may very well think them indispensable , and for them they may be ...
... thing an image of “ silence . ” But , unlike the image - bodies of the words themselves , those other images of things are not vitally important . Those who have them may very well think them indispensable , and for them they may be ...
Содержание
WILLIAM WORDSWORTH | 30 |
HENRY JAMES | 44 |
ANDREW CECIL BRADLEY Hegels Theory of Tragedy | 55 |
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Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1948 |
Часто встречающиеся слова и выражения
action admiration appear artist beauty become beginning believe better called cause character comes common consider course criticism drama effect English equally example existence experience expression fact feeling follow force genius give given hand human idea imagination imitation important interest James kind knowledge language learning least less literature living look manner matter means merely mind moral nature never novel object observed once original particular passions perhaps persons play pleasure plot poem poet poetic poetry possible present principle produced prose question reader reason relation represent seems sense social speak spirit story tell things thought tion tragedy true truth turn understanding universal verse whole write