Criticism: The Foundations of Modern Literary JudgmentMark Schorer, Josephine Miles, Gordon McKenzie Harcourt, Brace, 1948 - Всего страниц: 553 |
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Стр. 40
The Foundations of Modern Literary Judgment Mark Schorer, Josephine Miles, Gordon McKenzie. tion of the Reader . All that it is necessary to say , however , upon this subject , may be effected by affirming , what few persons will deny ...
The Foundations of Modern Literary Judgment Mark Schorer, Josephine Miles, Gordon McKenzie. tion of the Reader . All that it is necessary to say , however , upon this subject , may be effected by affirming , what few persons will deny ...
Стр. 369
... tion . I shall return to this question . For the moment , however , let us examine a poem whose apparent innocence and simple lyric cry should earn it a place in any anthology of " pure poetry . " Western wind , when wilt thou blow That ...
... tion . I shall return to this question . For the moment , however , let us examine a poem whose apparent innocence and simple lyric cry should earn it a place in any anthology of " pure poetry . " Western wind , when wilt thou blow That ...
Стр. 445
... tion , real or imaginary , is not conformable to that which is required by the performance . An orator addresses himself to a particular audience , and must have a regard to their particular genius , interests , opinions , passions ...
... tion , real or imaginary , is not conformable to that which is required by the performance . An orator addresses himself to a particular audience , and must have a regard to their particular genius , interests , opinions , passions ...
Содержание
WILLIAM WORDSWORTH | 30 |
HENRY JAMES | 44 |
ANDREW CECIL BRADLEY Hegels Theory of Tragedy | 55 |
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action admiration appear artist beauty become beginning believe better called cause character comes common consider course criticism drama effect English equally example existence experience expression fact feeling follow force genius give given hand human idea imagination imitation important interest James kind knowledge language learning least less literature living look manner matter means merely mind moral nature never novel object observed once original particular passions perhaps persons play pleasure plot poem poet poetic poetry possible present principle produced prose question reader reason relation represent seems sense social speak spirit story tell things thought tion tragedy true truth turn understanding universal verse whole write