Criticism: The Foundations of Modern Literary JudgmentMark Schorer, Josephine Miles, Gordon McKenzie Harcourt, Brace, 1948 - Всего страниц: 553 |
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Стр. 65
... tragedies of the Greek type . Tragedy would , in his view , be in somewhat the same position as Sculpture . Renaissance sculpture , he might say , has qualities in which it is superior to Greek , and Michael Angelo may have been as ...
... tragedies of the Greek type . Tragedy would , in his view , be in somewhat the same position as Sculpture . Renaissance sculpture , he might say , has qualities in which it is superior to Greek , and Michael Angelo may have been as ...
Стр. 78
... tragedy and the subject of a farce , depending upon the way in which it was treated ; so that to say that tragedy is the imitation of a noble action is to be guilty of assuming , first , that art and photography are the same , and ...
... tragedy and the subject of a farce , depending upon the way in which it was treated ; so that to say that tragedy is the imitation of a noble action is to be guilty of assuming , first , that art and photography are the same , and ...
Стр. 202
... Tragedy as in Epic poetry . 5. Of their constituent parts some are common to both , some peculiar to Tragedy . Whoever , therefore , knows what is good or bad Tragedy , knows also about Epic poetry . All the elements of an Epic poem are ...
... Tragedy as in Epic poetry . 5. Of their constituent parts some are common to both , some peculiar to Tragedy . Whoever , therefore , knows what is good or bad Tragedy , knows also about Epic poetry . All the elements of an Epic poem are ...
Содержание
WILLIAM WORDSWORTH | 30 |
HENRY JAMES | 44 |
ANDREW CECIL BRADLEY Hegels Theory of Tragedy | 55 |
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action admiration appear artist beauty become beginning believe better called cause character comes common consider course criticism drama effect English equally example existence experience expression fact feeling follow force genius give given hand human idea imagination imitation important interest James kind knowledge language learning least less literature living look manner matter means merely mind moral nature never novel object observed once original particular passions perhaps persons play pleasure plot poem poet poetic poetry possible present principle produced prose question reader reason relation represent seems sense social speak spirit story tell things thought tion tragedy true truth turn understanding universal verse whole write