Criticism: The Foundations of Modern Literary JudgmentMark Schorer, Josephine Miles, Gordon McKenzie Harcourt, Brace, 1948 - Всего страниц: 553 |
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Стр. 137
... turn light up the social background . The novelist cannot write his story of the individual fate unless he also has this steady vision of the whole . He must understand how his final result arises from the individual conflicts of his ...
... turn light up the social background . The novelist cannot write his story of the individual fate unless he also has this steady vision of the whole . He must understand how his final result arises from the individual conflicts of his ...
Стр. 150
... Turn of the Screw , " one wonders how one could ever have missed it . There is a very good reason , however , in the fact that nowhere does James unequivocally give the thing away : almost everything from beginning to end can be read ...
... Turn of the Screw , " one wonders how one could ever have missed it . There is a very good reason , however , in the fact that nowhere does James unequivocally give the thing away : almost everything from beginning to end can be read ...
Стр. 327
... turn up the passages selected by Miss Lynch in support of her argument , and see if they are not all in the factitious , superficial mode that I have described . ) ——— We may consider , by way of illustration , Etherege's The Man of ...
... turn up the passages selected by Miss Lynch in support of her argument , and see if they are not all in the factitious , superficial mode that I have described . ) ——— We may consider , by way of illustration , Etherege's The Man of ...
Содержание
WILLIAM WORDSWORTH | 30 |
HENRY JAMES | 44 |
ANDREW CECIL BRADLEY Hegels Theory of Tragedy | 55 |
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Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1948 |
Часто встречающиеся слова и выражения
action admiration appear artist beauty become beginning believe better called cause character comes common consider course criticism drama effect English equally example existence experience expression fact feeling follow force genius give given hand human idea imagination imitation important interest James kind knowledge language learning least less literature living look manner matter means merely mind moral nature never novel object observed once original particular passions perhaps persons play pleasure plot poem poet poetic poetry possible present principle produced prose question reader reason relation represent seems sense social speak spirit story tell things thought tion tragedy true truth turn understanding universal verse whole write