Criticism: The Foundations of Modern Literary JudgmentMark Schorer, Josephine Miles, Gordon McKenzie Harcourt, Brace, 1948 - Всего страниц: 553 |
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Стр. 91
... understand either the character or the decision of the woman he so deeply loved . Circling across the sea and the American conti- nent , he returned again to Paris by an irresist- ible compulsion , and at twilight one evening , a gray ...
... understand either the character or the decision of the woman he so deeply loved . Circling across the sea and the American conti- nent , he returned again to Paris by an irresist- ible compulsion , and at twilight one evening , a gray ...
Стр. 122
... understand . Truly , truly , the past was a dream . But this is real ! To know from this that something must be done . That is real . We searched ; we were confused ! But we searched , and now the search is ended . For the truth has ...
... understand . Truly , truly , the past was a dream . But this is real ! To know from this that something must be done . That is real . We searched ; we were confused ! But we searched , and now the search is ended . For the truth has ...
Стр. 474
... understand- ing ; the second speaks ultimately , it may hap- pen , to the higher understanding or reason , but always through affections of pleasure and sym- 1 Charles I , for example , when Prince of Wales , and many others in his ...
... understand- ing ; the second speaks ultimately , it may hap- pen , to the higher understanding or reason , but always through affections of pleasure and sym- 1 Charles I , for example , when Prince of Wales , and many others in his ...
Содержание
PART ONE SOURCE | 3 |
EDWARD YOUNG Conjectures on Original Composition | 12 |
WILLIAM WORDSWORTH Observations Prefixed to Lyrical Ballads | 30 |
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Часто встречающиеся слова и выражения
action admiration aesthetic appears Aristotle artist attitude beauty believe Ben Jonson blank verse called character classical comedy conscious criticism delight divine drama Edith Wharton effect emotion English Epic poetry essay example experience expression fact feeling fiction Freud genius give Hegel Henry James Homer human I. A. Richards idea imagination imitation interest James kind language less literary literature living Lycidas means ment merely metaphor metre Milton mind modern moral nature never novel novelist object passion perhaps persons philosophical Plato play pleasure plot poem Poesie poet poet's poetic poetry present prose reader reason Restoration comedy rhyme romanticism Sacred Fount scene seems sense Shakespeare social Sophocles soul speak spirit stanza story style Surrealists T. S. Eliot taste things thought tion tragedy tragic true truth ture verse whole words write