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Стр. 243
For this reason , says Aristotle , ' tis best to write tragedy in that kind of verse which is the least such , or which is nearest prose : and this amongst the Ancients was the iambic , and with us is blank verse , or the measure of ...
For this reason , says Aristotle , ' tis best to write tragedy in that kind of verse which is the least such , or which is nearest prose : and this amongst the Ancients was the iambic , and with us is blank verse , or the measure of ...
Стр. 244
Thus Ovid's fancy was not limited by verse , and Virgil needed not verse to have bounded his . " In our own language we see Ben Jonson confining himself to what ought to be said , even in the liberty of blank verse ; and yet Corneille ...
Thus Ovid's fancy was not limited by verse , and Virgil needed not verse to have bounded his . " In our own language we see Ben Jonson confining himself to what ought to be said , even in the liberty of blank verse ; and yet Corneille ...
Стр. 245
But you foresaw when you said this , that it might be answered - neither does any man speak in blank verse , or in measure without rhyme . Therefore you concluded , that which is nearest Nature is still to be preferred .
But you foresaw when you said this , that it might be answered - neither does any man speak in blank verse , or in measure without rhyme . Therefore you concluded , that which is nearest Nature is still to be preferred .
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Содержание
WILLIAM WORDSWORTH | 30 |
HENRY JAMES | 44 |
ANDREW CECIL BRADLEY Hegels Theory of Tragedy | 55 |
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Другие издания - Просмотреть все
Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1948 |
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action admiration appear artist beauty become beginning believe better called cause character comes common consider course criticism drama effect English equally example existence experience expression fact feeling follow force genius give given hand human idea imagination imitation important interest James kind knowledge language learning least less literature living look manner matter means merely mind moral nature never novel object observed once original particular passions perhaps persons play pleasure plot poem poet poetic poetry possible present principle produced prose question reader reason relation represent seems sense social speak spirit story tell things thought tion tragedy true truth turn understanding universal verse whole write