Criticism: The Foundations of Modern Literary JudgmentMark Schorer, Josephine Miles, Gordon McKenzie Harcourt, Brace, 1948 - Всего страниц: 553 |
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Стр. 66
... writing , try ing to write , or failing to write , a novel . And when I ask myself , as your invitation to speak to you about modern fiction made me ask myself , what demon whispered in my ear and urged me to my doom , a little figure ...
... writing , try ing to write , or failing to write , a novel . And when I ask myself , as your invitation to speak to you about modern fiction made me ask myself , what demon whispered in my ear and urged me to my doom , a little figure ...
Стр. 189
... write down at all . For every poem which I do write down , there are seven or eight which I never complete . The method which I adopt therefore is to write down as many ideas as possible , in however rough a form , in notebooks ( I have ...
... write down at all . For every poem which I do write down , there are seven or eight which I never complete . The method which I adopt therefore is to write down as many ideas as possible , in however rough a form , in notebooks ( I have ...
Стр. 431
... write . Let such teach others who themselves excel , And censure freely , who have written well . Authors are partial to their wit , ' tis true , But are not critics to their judgment too ? Yet , if we look more closely , we shall find ...
... write . Let such teach others who themselves excel , And censure freely , who have written well . Authors are partial to their wit , ' tis true , But are not critics to their judgment too ? Yet , if we look more closely , we shall find ...
Содержание
WILLIAM WORDSWORTH | 30 |
HENRY JAMES | 44 |
ANDREW CECIL BRADLEY Hegels Theory of Tragedy | 55 |
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Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1948 |
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action admiration appear artist beauty become beginning believe better called cause character comes common consider course criticism drama effect English equally example existence experience expression fact feeling follow force genius give given hand human idea imagination imitation important interest James kind knowledge language learning least less literature living look manner matter means merely mind moral nature never novel object observed once original particular passions perhaps persons play pleasure plot poem poet poetic poetry possible present principle produced prose question reader reason relation represent seems sense social speak spirit story tell things thought tion tragedy true truth turn understanding universal verse whole write