Criticism: The Foundations of Modern Literary JudgmentMark Schorer, Josephine Miles, Gordon McKenzie Harcourt, Brace, 1948 - Всего страниц: 553 |
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Стр. 70
... write a novel - how to create characters that are real - is precisely like going to a bootmaker and asking him to teach you how to make a watch . Do not let me give you the impression that I do not admire and enjoy their books . They ...
... write a novel - how to create characters that are real - is precisely like going to a bootmaker and asking him to teach you how to make a watch . Do not let me give you the impression that I do not admire and enjoy their books . They ...
Стр. 189
... write down at all . For every poem which I do write down , there are seven or eight which I never complete . The method which I adopt therefore is to write down as many ideas as possible , in how- ever rough a form , in notebooks ( I ...
... write down at all . For every poem which I do write down , there are seven or eight which I never complete . The method which I adopt therefore is to write down as many ideas as possible , in how- ever rough a form , in notebooks ( I ...
Стр. 246
... write at all , or to attempt some other way . There is no bays to be expected in their walks : tentanda via est , quà me quoque possum tollere humo.51 " This way of writing in verse they have only left free to us ; our age is arrived to ...
... write at all , or to attempt some other way . There is no bays to be expected in their walks : tentanda via est , quà me quoque possum tollere humo.51 " This way of writing in verse they have only left free to us ; our age is arrived to ...
Содержание
PART ONE SOURCE | 3 |
EDWARD YOUNG Conjectures on Original Composition | 12 |
WILLIAM WORDSWORTH Observations Prefixed to Lyrical Ballads | 30 |
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Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1948 |
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action admiration aesthetic appears Aristotle artist attitude beauty believe Ben Jonson blank verse called character classical comedy conscious criticism delight divine drama Edith Wharton effect emotion English Epic poetry essay example experience expression fact feeling fiction Freud genius give Hegel Henry James Homer human I. A. Richards idea imagination imitation interest James kind language less literary literature living Lycidas means ment merely metaphor metre Milton mind modern moral nature never novel novelist object passion perhaps persons philosophical Plato play pleasure plot poem Poesie poet poet's poetic poetry present prose reader reason Restoration comedy rhyme romanticism Sacred Fount scene seems sense Shakespeare social Sophocles soul speak spirit stanza story style Surrealists T. S. Eliot taste things thought tion tragedy tragic true truth ture verse whole words write