The Actor and the TextVirgin, 1992 - Всего страниц: 303 Cicely Berry, Voice Director of the Royal Shakespeare Company, is world-famous for her voice teaching. The Actor and the Text is her classic book, distilled from years of working with actors of the highest calibre. Building on the specific exercises covered in her first book, Voice and the Actor, Cicely Berry relates the practicality of voice production to the challenges of a different text. And by getting inside the words we use - whether those of Shakespeare or our contemporaries - she shows how to release their energy and excitement for an audience. |
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Стр. 23
... allowing himself to discover the thought in action through the words as they are spoken . This is often an unreasonable ... allow them to be . This feeling that we need to present and be interesting , even at early stages of rehearsal ...
... allowing himself to discover the thought in action through the words as they are spoken . This is often an unreasonable ... allow them to be . This feeling that we need to present and be interesting , even at early stages of rehearsal ...
Стр. 141
... allowing just that to happen . In other words they are to do with acting . And this sense of sitting back on the ... allow time for slow readers . ( ii ) Or they can be done on a text that you choose to work on over a period of time ...
... allowing just that to happen . In other words they are to do with acting . And this sense of sitting back on the ... allow time for slow readers . ( ii ) Or they can be done on a text that you choose to work on over a period of time ...
Стр. 203
... allow them to hear the thoughts and hold them — and this without diminishing their emotional weight . - - ( viii ) ... allows you to hear is the space that the words hold , the echoes and associations in the language , something beyond the ...
... allow them to hear the thoughts and hold them — and this without diminishing their emotional weight . - - ( viii ) ... allows you to hear is the space that the words hold , the echoes and associations in the language , something beyond the ...
Содержание
by Trevor Nunn | 8 |
Structures Energy Imagery and Sound | 14 |
Shakespeare | 40 |
Авторские права | |
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Часто встречающиеся слова и выражения
actor antithesis Antony Antony and Cleopatra audience aware Barnardo become beginning breath Caesar caesura character consonants Coriolanus Cressida Delroy dialogue Dingo doth emotional energy exercises feel give Hamlet happens hath hear heightened Hermia Iago iambic pentameter imagery important Julius Caesar Karn keep King Lear language Leontes listen look Love's Labour's Lost Macbeth meaning mememe metre mind Mogg move movement naturalistic night notice open vowels Othello ourselves particularly passage patterns perhaps person phrase physical piece of text play poetic possible reason rehearsal rhyme rhythm Richard Richard II Romeo and Juliet Rosalind round scene sense Shakespeare sing soliloquy sonnet sound space speak the text speech stress style syllables talking texture thee Theseus thing thou Troilus Troilus and Cressida verse voice vowels weight whole Winter's Tale words writing
Ссылки на эту книгу
Script Analysis for Actors, Directors, and Designers James Michael Thomas Ограниченный просмотр - 2005 |
A Companion to Shakespeare and Performance Barbara Hodgdon,W. B. Worthen Недоступно для просмотра - 2007 |