The Actor and the TextVirgin, 1992 - Всего страниц: 303 Cicely Berry, Voice Director of the Royal Shakespeare Company, is world-famous for her voice teaching. The Actor and the Text is her classic book, distilled from years of working with actors of the highest calibre. Building on the specific exercises covered in her first book, Voice and the Actor, Cicely Berry relates the practicality of voice production to the challenges of a different text. And by getting inside the words we use - whether those of Shakespeare or our contemporaries - she shows how to release their energy and excitement for an audience. |
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Стр. 34
... ideas are there before they are expressed , so the dialogue seems often to do with a discussion of ideas and motives rather than a discovery of them ; it feels calculated . I am not quite sure about this , but it seems as if we have to ...
... ideas are there before they are expressed , so the dialogue seems often to do with a discussion of ideas and motives rather than a discovery of them ; it feels calculated . I am not quite sure about this , but it seems as if we have to ...
Стр. 250
... idea through . The image is surprisingly homely , yet , in its total surrender to the idea , it is extravagant . Or Sonnet 97 : ' How like a winter hath my absence been From thee . . . ' , which contains the idea that , though he has ...
... idea through . The image is surprisingly homely , yet , in its total surrender to the idea , it is extravagant . Or Sonnet 97 : ' How like a winter hath my absence been From thee . . . ' , which contains the idea that , though he has ...
Стр. 276
... idea in the mind that it takes longer to breathe deeply . This in fact is not true , but we have to get used to the idea . Once you feel that it is the easier way and that it gives you the freedom and strength you want , you will use it ...
... idea in the mind that it takes longer to breathe deeply . This in fact is not true , but we have to get used to the idea . Once you feel that it is the easier way and that it gives you the freedom and strength you want , you will use it ...
Содержание
by Trevor Nunn | 8 |
Structures Energy Imagery and Sound | 14 |
Shakespeare | 40 |
Авторские права | |
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actor antithesis Antony Antony and Cleopatra audience aware Barnardo become beginning breath Caesar caesura character consonants Coriolanus Cressida Delroy dialogue Dingo doth emotional energy exercises feel give Hamlet happens hath hear heightened Hermia Iago iambic pentameter imagery important Julius Caesar Karn keep King Lear language Leontes listen look Love's Labour's Lost Macbeth meaning mememe metre mind Mogg move movement naturalistic night notice open vowels Othello ourselves particularly passage patterns perhaps person phrase physical piece of text play poetic possible reason rehearsal rhyme rhythm Richard Richard II Romeo and Juliet Rosalind round scene sense Shakespeare sing soliloquy sonnet sound space speak the text speech stress style syllables talking texture thee Theseus thing thou Troilus Troilus and Cressida verse voice vowels weight whole Winter's Tale words writing
Ссылки на эту книгу
Script Analysis for Actors, Directors, and Designers James Michael Thomas Ограниченный просмотр - 2005 |
A Companion to Shakespeare and Performance Barbara Hodgdon,W. B. Worthen Недоступно для просмотра - 2007 |