The Actor and the TextVirgin, 1992 - Всего страниц: 303 Cicely Berry, Voice Director of the Royal Shakespeare Company, is world-famous for her voice teaching. The Actor and the Text is her classic book, distilled from years of working with actors of the highest calibre. Building on the specific exercises covered in her first book, Voice and the Actor, Cicely Berry relates the practicality of voice production to the challenges of a different text. And by getting inside the words we use - whether those of Shakespeare or our contemporaries - she shows how to release their energy and excitement for an audience. |
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Стр. 122
... notice : Four straightforward puns : ' vainly ' , ' simple ' , ' habit ' , ' lies ' . The pun on ' subtleties ' i.e. , ' subtle ties ' , dependent on a change of pronunciation . ' told ' , meaning both ' spoken ' and ' counted ' , also ...
... notice : Four straightforward puns : ' vainly ' , ' simple ' , ' habit ' , ' lies ' . The pun on ' subtleties ' i.e. , ' subtle ties ' , dependent on a change of pronunciation . ' told ' , meaning both ' spoken ' and ' counted ' , also ...
Стр. 155
... notice what is happening , and particularly notice when it is working well . When it does not work well , it is usually because someone is trying too hard with their individual word or phrase , wanting to make it different for its own ...
... notice what is happening , and particularly notice when it is working well . When it does not work well , it is usually because someone is trying too hard with their individual word or phrase , wanting to make it different for its own ...
Стр. 234
... notice : It is metrically regular i.e. , the sense stress coincides with the metre stress . When the sense jumps the ... Notice how you can lean on the long vowels , e.g. , ' A lover's eyes will gaze an eagle blind ' . So work it through ...
... notice : It is metrically regular i.e. , the sense stress coincides with the metre stress . When the sense jumps the ... Notice how you can lean on the long vowels , e.g. , ' A lover's eyes will gaze an eagle blind ' . So work it through ...
Содержание
by Trevor Nunn | 8 |
Shakespeare | 40 |
Metre and Rhythm | 52 |
Авторские права | |
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actor antithesis Antony Antony and Cleopatra audience aware Barnardo become beginning breath Caesar caesura character consonants Coriolanus Cressida Delroy dialogue Dingo doth emotional energy exercises feel give Hamlet happens hath hear heightened Hermia Iago iambic pentameter imagery important Julius Caesar Karn keep King Lear language Leontes listen look Love's Labour's Lost Macbeth meaning mememe metre mind Mogg move movement naturalistic night notice open vowels Othello ourselves particularly passage patterns perhaps person phrase physical piece of text play poetic possible reason rehearsal rhyme rhythm Richard Richard II Romeo and Juliet Rosalind round scene sense Shakespeare sing soliloquy sonnet sound space speak the text speech stress style syllables talking texture thee Theseus thing thou Troilus Troilus and Cressida verse voice vowels weight whole Winter's Tale words writing
Ссылки на эту книгу
Script Analysis for Actors, Directors, and Designers James Michael Thomas Ограниченный просмотр - 2005 |
A Companion to Shakespeare and Performance Barbara Hodgdon,W. B. Worthen Недоступно для просмотра - 2007 |