The Actor and the TextVirgin, 1992 - Всего страниц: 303 Cicely Berry, Voice Director of the Royal Shakespeare Company, is world-famous for her voice teaching. The Actor and the Text is her classic book, distilled from years of working with actors of the highest calibre. Building on the specific exercises covered in her first book, Voice and the Actor, Cicely Berry relates the practicality of voice production to the challenges of a different text. And by getting inside the words we use - whether those of Shakespeare or our contemporaries - she shows how to release their energy and excitement for an audience. |
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Стр. 146
... person of line A sings a vowel to his opposite number in line B ; who sings the same vowel on the same note . That person then breathes , and sings a different vowel on any note to the next person up in line A , who then repeats that ...
... person of line A sings a vowel to his opposite number in line B ; who sings the same vowel on the same note . That person then breathes , and sings a different vowel on any note to the next person up in line A , who then repeats that ...
Стр. 149
... person at a time , from punctuation mark to punctuation mark . Someone may only have one word - that is part of what we will mark . Within an awareness of what the whole passage is about , each person must receive what he has been given ...
... person at a time , from punctuation mark to punctuation mark . Someone may only have one word - that is part of what we will mark . Within an awareness of what the whole passage is about , each person must receive what he has been given ...
Стр. 187
... person in the group responsible for a part of the text so that it can run in order . Then hide at the edge of the space , so that each person is out of sight of anyone else . Now keep the text going , at the same time try to move to the ...
... person in the group responsible for a part of the text so that it can run in order . Then hide at the edge of the space , so that each person is out of sight of anyone else . Now keep the text going , at the same time try to move to the ...
Содержание
by Trevor Nunn | 8 |
Structures Energy Imagery and Sound | 14 |
Shakespeare | 40 |
Авторские права | |
Не показаны другие разделы: 10
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Часто встречающиеся слова и выражения
actor antithesis Antony Antony and Cleopatra audience aware Barnardo become beginning breath Caesar caesura character consonants Coriolanus Cressida Delroy dialogue Dingo doth emotional energy exercises feel give Hamlet happens hath hear heightened Hermia Iago iambic pentameter imagery important Julius Caesar Karn keep King Lear language Leontes listen look Love's Labour's Lost Macbeth meaning mememe metre mind Mogg move movement naturalistic night notice open vowels Othello ourselves particularly passage patterns perhaps person phrase physical piece of text play poetic possible reason rehearsal rhyme rhythm Richard Richard II Romeo and Juliet Rosalind round scene sense Shakespeare sing soliloquy sonnet sound space speak the text speech stress style syllables talking texture thee Theseus thing thou Troilus Troilus and Cressida verse voice vowels weight whole Winter's Tale words writing
Ссылки на эту книгу
Script Analysis for Actors, Directors, and Designers James Michael Thomas Ограниченный просмотр - 2005 |
A Companion to Shakespeare and Performance Barbara Hodgdon,W. B. Worthen Недоступно для просмотра - 2007 |