The Actor and the TextVirgin, 1992 - Всего страниц: 303 Cicely Berry, Voice Director of the Royal Shakespeare Company, is world-famous for her voice teaching. The Actor and the Text is her classic book, distilled from years of working with actors of the highest calibre. Building on the specific exercises covered in her first book, Voice and the Actor, Cicely Berry relates the practicality of voice production to the challenges of a different text. And by getting inside the words we use - whether those of Shakespeare or our contemporaries - she shows how to release their energy and excitement for an audience. |
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Стр. 18
... reason for the words he has to speak , of relating them both to his own experience and to the motive of the ... reasons in his head , without quite springing the energy of the thought into the words . In a sense , the words are by ...
... reason for the words he has to speak , of relating them both to his own experience and to the motive of the ... reasons in his head , without quite springing the energy of the thought into the words . In a sense , the words are by ...
Стр. 65
... reason for the missing beat , that there is a demand within the situation or within the character for silence . It may be that a movement is needed , or that the thought needs time to settle between characters , or that the thought ...
... reason for the missing beat , that there is a demand within the situation or within the character for silence . It may be that a movement is needed , or that the thought needs time to settle between characters , or that the thought ...
Стр. 119
... reason swayed , And reason says you are the worthier maid . Things growing are not ripe until their season ; So I , being young , till now ripe not to reason . And touching now the point of human skill , Reason becomes the marshal to my ...
... reason swayed , And reason says you are the worthier maid . Things growing are not ripe until their season ; So I , being young , till now ripe not to reason . And touching now the point of human skill , Reason becomes the marshal to my ...
Содержание
by Trevor Nunn | 8 |
Structures Energy Imagery and Sound | 14 |
Shakespeare | 40 |
Авторские права | |
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actor antithesis Antony Antony and Cleopatra audience aware Barnardo become beginning breath Caesar caesura character consonants Coriolanus Cressida Delroy dialogue Dingo doth emotional energy exercises feel give Hamlet happens hath hear heightened Hermia Iago iambic pentameter imagery important Julius Caesar Karn keep King Lear language Leontes listen look Love's Labour's Lost Macbeth meaning mememe metre mind Mogg move movement naturalistic night notice open vowels Othello ourselves particularly passage patterns perhaps person phrase physical piece of text play poetic possible reason rehearsal rhyme rhythm Richard Richard II Romeo and Juliet Rosalind round scene sense Shakespeare sing soliloquy sonnet sound space speak the text speech stress style syllables talking texture thee Theseus thing thou Troilus Troilus and Cressida verse voice vowels weight whole Winter's Tale words writing
Ссылки на эту книгу
Script Analysis for Actors, Directors, and Designers James Michael Thomas Ограниченный просмотр - 2005 |
A Companion to Shakespeare and Performance Barbara Hodgdon,W. B. Worthen Недоступно для просмотра - 2007 |