The Actor and the TextVirgin, 1992 - Всего страниц: 303 Cicely Berry, Voice Director of the Royal Shakespeare Company, is world-famous for her voice teaching. The Actor and the Text is her classic book, distilled from years of working with actors of the highest calibre. Building on the specific exercises covered in her first book, Voice and the Actor, Cicely Berry relates the practicality of voice production to the challenges of a different text. And by getting inside the words we use - whether those of Shakespeare or our contemporaries - she shows how to release their energy and excitement for an audience. |
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Стр. 22
... sense clump - and we make a judgement on them from a cultural and sense point of view , so that our initial response to them is a ' read ' one and not an intuitive one . I think this puts a subtle pressure on us to make ' good sense ...
... sense clump - and we make a judgement on them from a cultural and sense point of view , so that our initial response to them is a ' read ' one and not an intuitive one . I think this puts a subtle pressure on us to make ' good sense ...
Стр. 55
... sense . Then , keeping the sense in your mind , but reading it for the metre , tapping the metre out gently with your hand . You will notice two things which are at the core of rhythmic structure : i ) the combination of stress with ...
... sense . Then , keeping the sense in your mind , but reading it for the metre , tapping the metre out gently with your hand . You will notice two things which are at the core of rhythmic structure : i ) the combination of stress with ...
Стр. 86
... sense of catching the moment and leads us to ' but here ' and to ' time ' , the subject of this whole thought . As the speech progresses the line endings become less defined , and this reinforces the sense that his thoughts get out of ...
... sense of catching the moment and leads us to ' but here ' and to ' time ' , the subject of this whole thought . As the speech progresses the line endings become less defined , and this reinforces the sense that his thoughts get out of ...
Содержание
by Trevor Nunn | 8 |
Structures Energy Imagery and Sound | 14 |
Shakespeare | 40 |
Авторские права | |
Не показаны другие разделы: 10
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Часто встречающиеся слова и выражения
actor antithesis Antony Antony and Cleopatra audience aware Barnardo become beginning breath Caesar caesura character consonants Coriolanus Cressida Delroy dialogue Dingo doth emotional energy exercises feel give Hamlet happens hath hear heightened Hermia Iago iambic pentameter imagery important Julius Caesar Karn keep King Lear language Leontes listen look Love's Labour's Lost Macbeth meaning mememe metre mind Mogg move movement naturalistic night notice open vowels Othello ourselves particularly passage patterns perhaps person phrase physical piece of text play poetic possible reason rehearsal rhyme rhythm Richard Richard II Romeo and Juliet Rosalind round scene sense Shakespeare sing soliloquy sonnet sound space speak the text speech stress style syllables talking texture thee Theseus thing thou Troilus Troilus and Cressida verse voice vowels weight whole Winter's Tale words writing
Ссылки на эту книгу
Script Analysis for Actors, Directors, and Designers James Michael Thomas Ограниченный просмотр - 2005 |
A Companion to Shakespeare and Performance Barbara Hodgdon,W. B. Worthen Недоступно для просмотра - 2007 |