The Actor and the TextVirgin, 1992 - Всего страниц: 303 Cicely Berry, Voice Director of the Royal Shakespeare Company, is world-famous for her voice teaching. The Actor and the Text is her classic book, distilled from years of working with actors of the highest calibre. Building on the specific exercises covered in her first book, Voice and the Actor, Cicely Berry relates the practicality of voice production to the challenges of a different text. And by getting inside the words we use - whether those of Shakespeare or our contemporaries - she shows how to release their energy and excitement for an audience. |
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Стр. 128
... STRUCTURE OF SPEECHES What I want to look at now is the structure of speeches . As there are so many speeches of length written , it is important to look at how we deal with them : their energy can so easily get dispersed . Everything ...
... STRUCTURE OF SPEECHES What I want to look at now is the structure of speeches . As there are so many speeches of length written , it is important to look at how we deal with them : their energy can so easily get dispersed . Everything ...
Стр. 229
... STRUCTURES All that we have talked about and looked at so far has been to do with just this : the structure within a speech or sequence of speeches . And we have found that this structure depends on : ( i ) How the metre is disposed ...
... STRUCTURES All that we have talked about and looked at so far has been to do with just this : the structure within a speech or sequence of speeches . And we have found that this structure depends on : ( i ) How the metre is disposed ...
Стр. 230
... structure behind you it will help to provide you with the energy and speed which is necessary . And here I want to ... structure there inside , this is more likely to happen . - Another thing I want to repeat is that when we feel this ...
... structure behind you it will help to provide you with the energy and speed which is necessary . And here I want to ... structure there inside , this is more likely to happen . - Another thing I want to repeat is that when we feel this ...
Содержание
by Trevor Nunn | 8 |
Structures Energy Imagery and Sound | 14 |
Shakespeare | 40 |
Авторские права | |
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actor antithesis Antony Antony and Cleopatra audience aware Barnardo become beginning breath Caesar caesura character consonants Coriolanus Cressida Delroy dialogue Dingo doth emotional energy exercises feel give Hamlet happens hath hear heightened Hermia Iago iambic pentameter imagery important Julius Caesar Karn keep King Lear language Leontes listen look Love's Labour's Lost Macbeth meaning mememe metre mind Mogg move movement naturalistic night notice open vowels Othello ourselves particularly passage patterns perhaps person phrase physical piece of text play poetic possible reason rehearsal rhyme rhythm Richard Richard II Romeo and Juliet Rosalind round scene sense Shakespeare sing soliloquy sonnet sound space speak the text speech stress style syllables talking texture thee Theseus thing thou Troilus Troilus and Cressida verse voice vowels weight whole Winter's Tale words writing
Ссылки на эту книгу
Script Analysis for Actors, Directors, and Designers James Michael Thomas Ограниченный просмотр - 2005 |
A Companion to Shakespeare and Performance Barbara Hodgdon,W. B. Worthen Недоступно для просмотра - 2007 |