The Actor and the TextVirgin, 1992 - Всего страниц: 303 Cicely Berry, Voice Director of the Royal Shakespeare Company, is world-famous for her voice teaching. The Actor and the Text is her classic book, distilled from years of working with actors of the highest calibre. Building on the specific exercises covered in her first book, Voice and the Actor, Cicely Berry relates the practicality of voice production to the challenges of a different text. And by getting inside the words we use - whether those of Shakespeare or our contemporaries - she shows how to release their energy and excitement for an audience. |
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Стр. 20
... talking about rhetorical resonances which are rhythmic and of a different and more public kind ; I am talking about the physical response which we have to words which touch our inner thoughts and feelings , where the association of the ...
... talking about rhetorical resonances which are rhythmic and of a different and more public kind ; I am talking about the physical response which we have to words which touch our inner thoughts and feelings , where the association of the ...
Стр. 213
... talking about the moments in a play when the whole timbre changes for a moment , and we are put in touch with a different sound . They are moments which occur in just about every play ; they sometimes come from the least poetic ...
... talking about the moments in a play when the whole timbre changes for a moment , and we are put in touch with a different sound . They are moments which occur in just about every play ; they sometimes come from the least poetic ...
Стр. 293
... talking about how the prevalent political situation affects the way you speak . From Bulgaria we heard something of ... talked a good deal about the shifting balance of a declamatory style and how it can fuse with modern sensibilities ...
... talking about how the prevalent political situation affects the way you speak . From Bulgaria we heard something of ... talked a good deal about the shifting balance of a declamatory style and how it can fuse with modern sensibilities ...
Содержание
by Trevor Nunn | 8 |
Structures Energy Imagery and Sound | 14 |
Shakespeare | 40 |
Авторские права | |
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Часто встречающиеся слова и выражения
actor antithesis Antony Antony and Cleopatra audience aware Barnardo become beginning breath Caesar caesura character consonants Coriolanus Cressida Delroy dialogue Dingo doth emotional energy exercises feel give Hamlet happens hath hear heightened Hermia Iago iambic pentameter imagery important Julius Caesar Karn keep King Lear language Leontes listen look Love's Labour's Lost Macbeth meaning mememe metre mind Mogg move movement naturalistic night notice open vowels Othello ourselves particularly passage patterns perhaps person phrase physical piece of text play poetic possible reason rehearsal rhyme rhythm Richard Richard II Romeo and Juliet Rosalind round scene sense Shakespeare sing soliloquy sonnet sound space speak the text speech stress style syllables talking texture thee Theseus thing thou Troilus Troilus and Cressida verse voice vowels weight whole Winter's Tale words writing
Ссылки на эту книгу
Script Analysis for Actors, Directors, and Designers James Michael Thomas Ограниченный просмотр - 2005 |
A Companion to Shakespeare and Performance Barbara Hodgdon,W. B. Worthen Недоступно для просмотра - 2007 |