Criticism: The Foundations of Modern Literary JudgmentMark Schorer Harcourt, Brace, 1958 - Всего страниц: 553 |
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Стр. 54
... English Fiction , and which is " a truly admirable thing and a great cause for congratulation . " It is a great cause for congratulation indeed when such thorny problems become as smooth as silk . I may add that in so far as Mr. Besant ...
... English Fiction , and which is " a truly admirable thing and a great cause for congratulation . " It is a great cause for congratulation indeed when such thorny problems become as smooth as silk . I may add that in so far as Mr. Besant ...
Стр. 163
... English language . It be- comes ugly and inaccurate because our thoughts are foolish , but the slovenliness of our language makes it easier for us to have foolish thoughts . The point is that the process is reversible . Modern English ...
... English language . It be- comes ugly and inaccurate because our thoughts are foolish , but the slovenliness of our language makes it easier for us to have foolish thoughts . The point is that the process is reversible . Modern English ...
Стр. 339
... English poets have known : the style produced out of the poet's remembrance of his classical models , chiefly Virgil . Milton has not been the only English poet to learn from Virgil , but he is doubtless the one who learned the most ...
... English poets have known : the style produced out of the poet's remembrance of his classical models , chiefly Virgil . Milton has not been the only English poet to learn from Virgil , but he is doubtless the one who learned the most ...
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Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1958 |
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action admiration aesthetic ancient appear Aristotle artist attitude beauty believe Ben Jonson blank verse called character classical comedy conscious criticism divine drama effect elements emotion English Epic poetry essay Euripides example experience expression fact feeling fiction Freud give Greek Hegel Henry James Homer human I. A. Richards idea imagination imitation interest James kind language less literary literature living Lycidas matter means ment merely metaphor metre Milton mind modern moral nature never novel object Oedipus passion perhaps persons philosophical Plato play pleasure plot poem Poesie poet poet's poetic poetry present prose reader reason Restoration comedy rhyme romanticism Sacred Fount scene seems sense Shakespeare Sophocles soul speak spirit stanza story style sublime T. S. Eliot theory things thought tion Tiresias tragedy tragic true truth verse whole words writing