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Стр. 132
4 Probably the influence of Coleridge partly accounts for the revival of this notion of action which underlies the recent studies of poetry which I have mentioned . Mr. Burke's phrase , " language as symbolic action , " expresses the ...
4 Probably the influence of Coleridge partly accounts for the revival of this notion of action which underlies the recent studies of poetry which I have mentioned . Mr. Burke's phrase , " language as symbolic action , " expresses the ...
Стр. 133
The agents also serve to move the action ahead , develop it in time , through their conflicts . The chorus meanwhile , in some respects between , in others deeper , than the antagonists , represents the interests of that resolution ...
The agents also serve to move the action ahead , develop it in time , through their conflicts . The chorus meanwhile , in some respects between , in others deeper , than the antagonists , represents the interests of that resolution ...
Стр. 202
but slightly to exceed this limit ; whereas the Epic action has no limits of time . This , then , is a second point of difference ; though at first the same freedom was admitted in Tragedy as in Epic poetry . 5.
but slightly to exceed this limit ; whereas the Epic action has no limits of time . This , then , is a second point of difference ; though at first the same freedom was admitted in Tragedy as in Epic poetry . 5.
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Содержание
PLATO The Poet in the Republic | 1 |
LONGINUS On the Sublime | 10 |
THOMAS HOBBES Answer to Sir William Davenants | 25 |
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Другие издания - Просмотреть все
Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1948 |
Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1948 |
Часто встречающиеся слова и выражения
action appear artist beauty become beginning believe better called cause character comes common consider course criticism direct drama effect elements emotion English example existence experience expression eyes fact feeling follow force give given hand human idea imagination imitation important interest James kind knowledge language least less light literature living look manner matter means merely method mind moral nature never novel object observed once particular passion perhaps persons play pleasure plot poem poet poetic poetry possible present principle produced prose question reader reason relation represent scene seems sense simple speak spirit story things thought tion tragedy tragic true truth turn understand universal verse whole writing