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Стр. 13
... and which it is difficult or rather impossible to withstand , and the memory of which is strong and hard to efface . 4. In general , consider those examples of sublimity to be fine and genuine which please all and always .
... and which it is difficult or rather impossible to withstand , and the memory of which is strong and hard to efface . 4. In general , consider those examples of sublimity to be fine and genuine which please all and always .
Стр. 271
He had only one type of drama to consider ; he could work entirely within the " categories " of that drama ; he did not have to consider or criticize the religious , ethical or artistic prejudices of his race .
He had only one type of drama to consider ; he could work entirely within the " categories " of that drama ; he did not have to consider or criticize the religious , ethical or artistic prejudices of his race .
Стр. 513
Instead of such an hour let us consider any hour , one which has conse- quences for his future and for other people . Let us consider any piece of any life . How far is our argument affected ? Will our standards of good and evil be ...
Instead of such an hour let us consider any hour , one which has conse- quences for his future and for other people . Let us consider any piece of any life . How far is our argument affected ? Will our standards of good and evil be ...
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Содержание
PLATO The Poet in the Republic | 1 |
LONGINUS On the Sublime | 10 |
THOMAS HOBBES Answer to Sir William Davenants | 25 |
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Другие издания - Просмотреть все
Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1948 |
Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1948 |
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action appear artist beauty become beginning believe better called cause character comes common consider course criticism direct drama effect elements emotion English example existence experience expression eyes fact feeling follow force give given hand human idea imagination imitation important interest James kind knowledge language least less light literature living look manner matter means merely method mind moral nature never novel object observed once particular passion perhaps persons play pleasure plot poem poet poetic poetry possible present principle produced prose question reader reason relation represent scene seems sense simple speak spirit story things thought tion tragedy tragic true truth turn understand universal verse whole writing