Criticism; the Foundations of Modern Literary JudgmentMark Schorer Harcourt, Brace, 1958 - Всего страниц: 553 |
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Стр. 51
... course , will ever take the place of the good old fashion of " liking " a work of art or not liking it : the most improved criti- cism will not abolish that primitive , that ulti- mate test . I mention this to guard myself from the ...
... course , will ever take the place of the good old fashion of " liking " a work of art or not liking it : the most improved criti- cism will not abolish that primitive , that ulti- mate test . I mention this to guard myself from the ...
Стр. 135
... course , is not the same thing as saying that these changes are scientifically determined ) . But no such scientific measure- ment of the resulting changes in the social and spiritual superstructure of life is possible . The changes ...
... course , is not the same thing as saying that these changes are scientifically determined ) . But no such scientific measure- ment of the resulting changes in the social and spiritual superstructure of life is possible . The changes ...
Стр. 176
... course , has been dealing with this reality all along , but in the wrong way . For Freud there are two ways of dealing with external reality . One is practical , effective , positive ; this is the way of the con- scious self , of the ...
... course , has been dealing with this reality all along , but in the wrong way . For Freud there are two ways of dealing with external reality . One is practical , effective , positive ; this is the way of the con- scious self , of the ...
Содержание
PLATO The Poet in the Republic | 1 |
LONGINUS On the Sublime | 10 |
THOMAS HOBBES Answer to Sir William Davenants | 25 |
Авторские права | |
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Другие издания - Просмотреть все
Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1948 |
Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1948 |
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action admiration Allen Tate ancient appear Aristotle artist beauty Ben Jonson called character classical comedy concrete universal conscious criticism delight divine drama effect English Epic poetry essay Euripides example experience expression fact feeling fiction Freud give Greek hath Hegel Henry James Homer human idea imagination imitation James kind language learning less literary literature living meaning ment metaphor metre Milton mind modern moral nature never novel objects Oedipus passion perhaps person philosophical Plato play pleasure plot poem Poesie poet poetic poetry present principle produced prose reader reason Restoration comedy rhyme romanticism scene seems sense sentiment Shakespeare sith Sophocles soul speak spirit stanza story style T. E. Hulme T. S. Eliot taste things thought tion Tiresias tragedy tragic true truth ture unity verse whole words writing