Criticism; the Foundations of Modern Literary JudgmentMark Schorer Harcourt, Brace, 1958 - Всего страниц: 553 |
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Стр. 285
... direct statement but obliquely by implication . This distinction between " direct " and " oblique " poetry will be elaborated in the next section . It suffices here to say that Johnson's attack is in- validated from the start because he ...
... direct statement but obliquely by implication . This distinction between " direct " and " oblique " poetry will be elaborated in the next section . It suffices here to say that Johnson's attack is in- validated from the start because he ...
Стр. 286
... direct , oblique , statement , etc. , in ways that are convenient rather than quite consistent . I make direct statement , or merely statement , or directness , stand for the same notion ; as I make oblique statement , or obliq- uity ...
... direct , oblique , statement , etc. , in ways that are convenient rather than quite consistent . I make direct statement , or merely statement , or directness , stand for the same notion ; as I make oblique statement , or obliq- uity ...
Стр. 361
... direct . The method of art can , I believe , never be direct is always indirect . The serious diffi- culties will occur only when he confuses his game with that of science and mistakes the na- ture of his appropriate instrument . Mr ...
... direct . The method of art can , I believe , never be direct is always indirect . The serious diffi- culties will occur only when he confuses his game with that of science and mistakes the na- ture of his appropriate instrument . Mr ...
Содержание
PLATO The Poet in the Republic | 1 |
LONGINUS On the Sublime | 10 |
THOMAS HOBBES Answer to Sir William Davenants | 25 |
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Другие издания - Просмотреть все
Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1948 |
Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1948 |
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action admiration aesthetic ancient appear Aristotle artist attitude beauty believe Ben Jonson called character classical comedy conscious criticism divine drama Echoing Green effect emotion English Epic poetry essay Euripides example experience expression fact feeling fiction Freud give Greek hath Hegel Henry James Homer human I. A. Richards idea imagination imitation interest James kind language less literary literature living Lycidas means ment merely metaphor metre Milton mind modern moral nature never novel object Oedipus passion perhaps persons philosophical Plato play pleasure plot poem Poesie poet poet's poetic poetry present prose reader reason Restoration comedy rhyme romanticism Sacred Fount scene seems sense Shakespeare Sophocles soul speak spirit stanza story style sublime Surrealists T. S. Eliot theory things thought tion Tiresias tragedy tragic true truth verse whole words writing