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Стр. 285
Johnson assumed that Lycidas is what I shall call " direct " poetry or the poetry of " statement , " and by such a standard he found it wanting . Actually the poem is far other than what it pro- ...
Johnson assumed that Lycidas is what I shall call " direct " poetry or the poetry of " statement , " and by such a standard he found it wanting . Actually the poem is far other than what it pro- ...
Стр. 286
The terms " direct " and " oblique " poetry are a false contrast . All poetry is more or less oblique : there is no direct poetry . But the terms " less oblique " and " more oblique " would sound ridiculous ; and the only way to be ...
The terms " direct " and " oblique " poetry are a false contrast . All poetry is more or less oblique : there is no direct poetry . But the terms " less oblique " and " more oblique " would sound ridiculous ; and the only way to be ...
Стр. 361
To elaborate the figure , science makes use of the perfect sphere and its attack can be direct . The method of art can , I believe , never be direct is always indirect . The serious diffi- culties will occur only when he confuses his ...
To elaborate the figure , science makes use of the perfect sphere and its attack can be direct . The method of art can , I believe , never be direct is always indirect . The serious diffi- culties will occur only when he confuses his ...
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Содержание
PLATO The Poet in the Republic | 1 |
LONGINUS On the Sublime | 10 |
THOMAS HOBBES Answer to Sir William Davenants | 25 |
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Другие издания - Просмотреть все
Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1948 |
Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1948 |
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action appear artist beauty become beginning believe better called cause character comes common consider course criticism drama effect elements emotion English example existence experience expression eyes fact feeling follow force give given hand human idea imagination imitation important interest James kind knowledge language least less light literature living look manner matter means merely method mind moral nature never novel object observed once particular passion perhaps persons play pleasure plot poem poet poetic poetry possible present principle produced prose question reader reason relation represent scene seems sense simple speak spirit story things thought tion tragedy tragic true truth turn understand universal verse whole writing