Criticism: The Foundations of Modern Literary JudgmentMark Schorer Harcourt, Brace, 1958 - Всего страниц: 553 |
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Стр. 272
... drama is pure " amusement . " The two excesses go together . The whole question is , whom does the drama amuse ? and what is the quality of the amusement ? C : I should not for my part admit that any of these people are concerned to ...
... drama is pure " amusement . " The two excesses go together . The whole question is , whom does the drama amuse ? and what is the quality of the amusement ? C : I should not for my part admit that any of these people are concerned to ...
Стр. 273
... drama , and has implied that we know more about that than Dryden , or Aristotle , or the Greek dramatists themselves . I say that the consummation of the drama , the perfect and ideal drama , is to be found in the ceremony of the Mass ...
... drama , and has implied that we know more about that than Dryden , or Aristotle , or the Greek dramatists themselves . I say that the consummation of the drama , the perfect and ideal drama , is to be found in the ceremony of the Mass ...
Стр. 274
The Foundations of Modern Literary Judgment Mark Schorer. drama , related to the divine drama , but not the same , as well as the Mass . E : You have admitted all that I expected , and more . That is the essential relation of drama to ...
The Foundations of Modern Literary Judgment Mark Schorer. drama , related to the divine drama , but not the same , as well as the Mass . E : You have admitted all that I expected , and more . That is the essential relation of drama to ...
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Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1958 |
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action admiration aesthetic ancient appear Aristotle artist attitude beauty believe Ben Jonson blank verse called character classical comedy conscious criticism divine drama effect elements emotion English Epic poetry essay Euripides example experience expression fact feeling fiction Freud give Greek Hegel Henry James Homer human I. A. Richards idea imagination imitation interest James kind language less literary literature living Lycidas matter means ment merely metaphor metre Milton mind modern moral nature never novel object Oedipus passion perhaps persons philosophical Plato play pleasure plot poem Poesie poet poet's poetic poetry present prose reader reason Restoration comedy rhyme romanticism Sacred Fount scene seems sense Shakespeare Sophocles soul speak spirit stanza story style sublime T. S. Eliot theory things thought tion Tiresias tragedy tragic true truth verse whole words writing