Criticism; the Foundations of Modern Literary JudgmentMark Schorer Harcourt, Brace, 1958 - Всего страниц: 553 |
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Стр. 93
... emotion in these Americans in his wide gallery is frustrated , buried , or lost . Instead , renunciation , tenderness , pity , are likely to be dominant among them . The finest of these feelings do not belong to the primary emotions ...
... emotion in these Americans in his wide gallery is frustrated , buried , or lost . Instead , renunciation , tenderness , pity , are likely to be dominant among them . The finest of these feelings do not belong to the primary emotions ...
Стр. 268
... emotion in the form of art is by finding an " objective correla- tive " ; in other words , a set of objects , a situa- tion , a chain of events which shall be the for- mula of that particular emotion ; such that when the external facts ...
... emotion in the form of art is by finding an " objective correla- tive " ; in other words , a set of objects , a situa- tion , a chain of events which shall be the for- mula of that particular emotion ; such that when the external facts ...
Стр. 522
... emotion from an intuition by it is not always easy , nor is a description of an emotion always in practice dis- tinguishable from an emotion . Certainly we must trust our feelings in the sense of acting upon them . We have nothing else ...
... emotion from an intuition by it is not always easy , nor is a description of an emotion always in practice dis- tinguishable from an emotion . Certainly we must trust our feelings in the sense of acting upon them . We have nothing else ...
Содержание
PLATO The Poet in the Republic | 1 |
LONGINUS On the Sublime | 10 |
THOMAS HOBBES Answer to Sir William Davenants | 25 |
Авторские права | |
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Другие издания - Просмотреть все
Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1948 |
Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1948 |
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action admiration aesthetic ancient appear Aristotle artist attitude beauty believe Ben Jonson called character classical comedy conscious criticism divine drama Echoing Green effect emotion English Epic poetry essay Euripides example experience expression fact feeling fiction Freud give Greek hath Hegel Henry James Homer human I. A. Richards idea imagination imitation interest James kind language less literary literature living Lycidas means ment merely metaphor metre Milton mind modern moral nature never novel object Oedipus passion perhaps persons philosophical Plato play pleasure plot poem Poesie poet poet's poetic poetry present prose reader reason Restoration comedy rhyme romanticism Sacred Fount scene seems sense Shakespeare Sophocles soul speak spirit stanza story style sublime Surrealists T. S. Eliot theory things thought tion Tiresias tragedy tragic true truth verse whole words writing