Criticism; the Foundations of Modern Literary JudgmentMark Schorer Harcourt, Brace, 1958 - Всего страниц: 553 |
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Стр. 118
... experience which surpasses man's un- derstanding , and to which he is therefore in danger of succumbing . The value and the force of the experience are given by its enormity . It arises from timeless depths ; it is foreign and cold ...
... experience which surpasses man's un- derstanding , and to which he is therefore in danger of succumbing . The value and the force of the experience are given by its enormity . It arises from timeless depths ; it is foreign and cold ...
Стр. 192
... experience , and my own inspiration seems to me like the faintest flash of insight into the nature of reality beside that of other poets whom I can think of . How- ever , it is possible that I describe here a kind of experience which ...
... experience , and my own inspiration seems to me like the faintest flash of insight into the nature of reality beside that of other poets whom I can think of . How- ever , it is possible that I describe here a kind of experience which ...
Стр. 507
... experience , and what sort of stream of events the experience is . A poem , let us say Wordsworth's Westminster Bridge sonnet , is such an experience , it is the experience the right kind of reader has when he peruses the verses . And ...
... experience , and what sort of stream of events the experience is . A poem , let us say Wordsworth's Westminster Bridge sonnet , is such an experience , it is the experience the right kind of reader has when he peruses the verses . And ...
Содержание
PLATO The Poet in the Republic | 1 |
LONGINUS On the Sublime | 10 |
THOMAS HOBBES Answer to Sir William Davenants | 25 |
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Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1948 |
Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1948 |
Часто встречающиеся слова и выражения
action appear artist beauty become beginning believe better called cause character comes common consider course criticism direct drama effect elements emotion English example existence experience expression eyes fact feeling follow force give given hand human idea imagination imitation important interest James kind knowledge language least less light literature living look manner matter means merely method mind moral nature never novel object observed once particular passion perhaps persons play pleasure plot poem poet poetic poetry possible present principle produced prose question reader reason relation represent scene seems sense simple speak spirit story things thought tion tragedy tragic true truth turn understand universal verse whole writing