Criticism; the Foundations of Modern Literary JudgmentMark Schorer Harcourt, Brace, 1958 - Всего страниц: 553 |
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Стр. 11
... expression of the sublime is more exposed to danger when it goes its own way without the guidance of knowledge - when it is suffered to be unstable and unballasted- when it is left at the mercy of mere momentum and ignorant audacity ...
... expression of the sublime is more exposed to danger when it goes its own way without the guidance of knowledge - when it is suffered to be unstable and unballasted- when it is left at the mercy of mere momentum and ignorant audacity ...
Стр. 22
... expression tends to lower the sublime , since grandeur is marred when the thought is brought into too narrow a compass . Let this be understood not of proper compression , but of what is absolutely petty and cut into segments . For ...
... expression tends to lower the sublime , since grandeur is marred when the thought is brought into too narrow a compass . Let this be understood not of proper compression , but of what is absolutely petty and cut into segments . For ...
Стр. 533
... expression " of the artist . Today , in nonliterary fields , we are stressing neither production nor consumption , but the integration of the two . And in the aesthetic field , this emphasis might be paralleled by a tendency to consider ...
... expression " of the artist . Today , in nonliterary fields , we are stressing neither production nor consumption , but the integration of the two . And in the aesthetic field , this emphasis might be paralleled by a tendency to consider ...
Содержание
PLATO The Poet in the Republic | 1 |
LONGINUS On the Sublime | 10 |
THOMAS HOBBES Answer to Sir William Davenants | 25 |
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Другие издания - Просмотреть все
Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1948 |
Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1948 |
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action admiration aesthetic ancient appear Aristotle artist attitude beauty believe Ben Jonson called character classical comedy conscious criticism divine drama Echoing Green effect emotion English Epic poetry essay Euripides example experience expression fact feeling fiction Freud give Greek hath Hegel Henry James Homer human I. A. Richards idea imagination imitation interest James kind language less literary literature living Lycidas means ment merely metaphor metre Milton mind modern moral nature never novel object Oedipus passion perhaps persons philosophical Plato play pleasure plot poem Poesie poet poet's poetic poetry present prose reader reason Restoration comedy rhyme romanticism Sacred Fount scene seems sense Shakespeare Sophocles soul speak spirit stanza story style sublime Surrealists T. S. Eliot theory things thought tion Tiresias tragedy tragic true truth verse whole words writing